Wake in Fright is the story of John Grant, a bonded teacher who arrives in the rough outback mining town of Bundanyabba planning to stay overnight before catching the plane to Sydney. But his one night stretches to five and he plunges headlong toward his own destruction. When the alcohol-induced mist lifts, the educated John Grant is no more. Instead there is a self-loathing man in a desolate wasteland, dirty, red-eyed, sitting against a tree and looking at a rifle with one bullet left…

In August of 1940 in the English village of Pepperinge Eye, three cockney orphans are sent to live with Eglantine Price, who is studying to become an apprentice witch. When she receives a letter from the Correspondence College of Witchcraft in London, she and the children fly on a bed (by way of a magic bedknob) to London to meet the headmaster of the defunct school, Emelius Brown. At a townhouse where Mr. Brown is staying, Miss Price finds half of a book called THE SPELLS OF ASTOROTH. For the other half, they deal with a shady character known as the Bookman.

Silent as a painting, the movie shows us day-dreamer Hermie and his friends Oscy and Benjie spending the summer of ‘42 on an US island with their parents - rather unaffected by WWII. While Oscy’s main worries are the when and how of getting laid, Hermie honestly falls in love with the older Dorothy, who’s married to an army pilot. When her husband returns to the front, Hermie shyly approaches her.

Billy Jack is a half-Indian/half-white ex-Green Beret who is being drawn more and more toward his Indian side. He hates violence, but can’t get away from it in the white man’s world. Pitting the good guys, the students of the peace-loving free-arts school in the desert vs. the conservative bad guys in the near-by town, the movie plays definitive late-60s themes/messages: anti-establishment, make love not war, the senseless slaughter of God’s creatures, the rape of society (figuratively and literally), two-sided justice, racial segregation and prejudices, and basic socialist ideals.

By this time, Gojira, defender of the Earth, has become a national phenomenon, akin to the Loch Ness Monster, especially with children, ingrained into the Japanese conciousness. However, the Japanese people still don’t realize that destroying the earth will summon the millennias-old protector. A young boy finds a dangerous monster that thrives on toxic waste that he names Hedorâ, a pun on the Japanese word for sludge, “hedoro.” In his dreams, he wishes for Gojira to defeat Hedorâ and, hopefully, persuade people to stop polluting the earth. Gojira, coincidentally, fights the monster because of the destruction to the environment.

A young American soldier (Joe) in WW I is wounded by a landmine. He loses his arms, legs and eyes as well as his ability to hear, speak or smell. Lying in hospital, he is not able to distinguish if he is awake or if he is dreaming. Trying to find out, he relives his story in strange dreams and memories. One day, Joe finds a way to communicate with the doctors…

Kowalski, works for a car delivery service. He takes delivery of a 1970 Dodge Challenger to take from Colorado to San Fransisco, California. Shortly after pickup, he takes a bet to get the car there in less than 15 hours. After a few run-ins with motorcycle cops and highway patrol they start a chase to bring him into custody. Along the way, Kowalski is guided by Supersoul - a blind DJ with a police radio scanner. Throw in lots of chase scenes, gay hitchhikers, a naked woman riding a motorbike, lots of Mopar and you’ve got a great cult hit from the early 70’s.

Young babysitter Amanda arrives at the Lloyd residence to spend the evening looking after their young son. Soon after the Lloyds leave, a series of frightening occurrences in the gloomy old house have Amanda’s nerves on edge. The real terror begins, however, when the child’s biological father appears after recently escaping from a nearby mental institution.

William Friedkin’s gritty police drama portrays two tough New York City cops trying to intercept a huge heroin shipment coming from France. An interesting contrast is established between ‘Popeye’ Doyle, a short-tempered alcoholic bigot who is nevertheless a hard-working and dedicated police officer, and his nemesis Alain Charnier, a suave and urbane gentleman who is nevertheless a criminal and one of the largest drug suppliers of pure heroin to North America. During the surveillance and eventual bust, Friedkin provides one of the most gripping and memorable car chase sequences ever filmed.

Roman Polanski’s version of Shakespeare’s tragedy about a Scottish lord who murders the king and ascends the throne. His wife then begins hallucinating as a result of her guilt complex and the dead king’s son conspires to attack MacBeth and expose him for the murderer he is.