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Colourful and unconventional slapstick comedy. Ex-con Hi and ex-cop Ed meet, marry and long for a child in the wilds of Arizona. When Ed discovers she’s barren the God-given solution is presented: to snatch a baby from a set of quins. Thus begins a series of kidnappings, capers and rum goings-on that revolve around the helpless yet universally-loveable child. Hi’s convict friends, his boss, and even the Lone Biker Of The Apocalypse become involved in the ever-twisting plot in the quest to own the baby.

A mid-western farm boy reluctantly becomes a member of the undead when a girl he meets turns out to be part of a band of southern vampires who roam the highways in stolen cars. Part of his initiation includes a bloody assault on a hick bar.

This is a remake of Cyrano de Bergerac, one of the most celebrated plays of the French theater, written by Edmond Rostand. Instead of being set in 17th century France, “Cyrano” has been changed to “Charlie”, a fire chief in a small town in Washington. Roxanne, played by the beautiful Darryl Hanna, rents a house for the summer to look at comets and Charlie quickly falls for her. Charlie is intelligent, funny, and sensitive, but all his fine qualities are unfortunately overshadowed by his very large nose (”Excuse me, it that your nose or did a bus park on your face?”). Charlie’s friend, Chris, on the other hand, is quite attractive, but superficial and awkward with words, especially around women (he has a tendency to throw up a lot). Both men are enthralled with Roxanne, but she, in a shallow but predictable move, shows interest in the handsome Chris. Chris is tongue-tied around her — everything that comes out of his mouth is either vulgar or indecipherable. So he asks Charlie for help. Charlie, inspired, writes 3 love letters a day to Roxanne, unbeknownst to Chris. Charlie’s eloquent letters work, because Roxanne falls in love with Chris. But Chris can’t meet Roxanne’s expectations in person and he soon runs off with a waitress who is “pretty cute, too”.

Elspeth McGillicuddy, an old friend of Miss Marple’s, witnesses a strangulation murder in a passing train through the window of her coach compartment. When Police Inspector Slack can’t find a body along the tracks and doubts the validity of the story, Miss Marple and Elspeth locate the area where the body was probably thrown from the train, the isolated manor house of an aged, cantankerous millionaire, Luther Crackenthorpe. Miss Marple’s niece Lucy is recruited to apply for a job on the estate in hopes of locating the corpse. When she finds it in an ancient sarcophagus in an outbuilding housing Egyptian and Etruscan art treasures, the police and Miss Marple are brought in. Obviously someone in the large household is involved, but who?