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Bob Russel, his wife Cindy Russel, and their three kids, 8-year-old Miles, 6-year old Maizy, and 15-year-old Tia, recently moved from Indianapolis to Chicago, and Tia resents Bob and Cindy for it because Tia, Miles, and Maizy were perfectly happy living in Indianapolis. Bob and Cindy are in bed one night when Cindy’s aunt calls and tells them that Cindy’s father has had a heart attack. Bob and Cindy immediately make plans to go to Indianapolis to visit Cindy’s father. After hearing this, Tia angrily tells Cindy that Tia would have a heart attack too if her family moved away from her, then Tia slams her bedroom door in Cindy’s face. With Cindy and Bob going to Indianapolis, the problem is who the babysitter will be. Even though Cindy doesn’t like the idea, they choose Bob’s brother Buck to babysit Tia, Miles, and Maizy. Cindy doesn’t like Buck because she thinks Buck is a sloppy person who doesn’t know how to do anything. While Cindy and Bob are in Indianapolis, Buck takes over the house, and Buck tries to do the best he can with the kids while he’s having problems with Chanice Kobolowski, who has been his girlfriend for the past 8 years. Buck bonds with Miles and Maizy and wins their love, but Buck has problems with Tia as he tries to protect Tia from her boyfriend Bug, because unknown to Tia, Bug only wants Tia for one reason sex.

Set in the late 21st century, a subculture of humans have emerged who have been modified genetically by a vampire-like disease, giving them enhanced speed, incredible stamina and acute intelligence, and as they are set apart from “normal” and “healthy” humans, the world is pushed to the brink of worldwide civil war aimed at the destruction of the “diseased” population. In the middle of this crossed-fire is - an infected beautiful woman - Ultraviolet, who finds herself protecting a nine-year-old boy who has been marked for death by the human government as he is believed to be a threat to humans.

Federal agent Elliot Ness assembles a personal team of mob fighters to bring Chicago crime boss Al Capone to justice using unconventional means during the mob wars of the 1920s. This fictionalized account of the arrest of Al Capone is heavy on style and gunfire. The end shootout combines a baby carriage and stairs with a nod to Eisenstein’s _The Battleship Potemkin_.

A shy, stuttering professor brings Aleister Crowley back to life.