A pair of movie stars rise to fame during World War II through alliances that taint their reputation in this historical drama based on a true story. As Fascism is on the march in Italy under the rule of Benito Mussolini, Golfiero Goffredo (Alessio Boni) is a well-respected movie director who is not afraid to share his left-wing views. While shooting his latest picture, Golfiero notices a beautiful woman working as an extra, Luisa Manfrini (Monica Bellucci), and he’s immediately convinced she has star quality. Taking Luisa under his wing, Golfiero gives her a new name, Luisa Ferida, and begins grooming her for a new career as a cinema idol…
Wild Blood was screened as a special presentation at the 2008 Cannes Film Festival.

Lee Simon, unsuccessful journalist and wanna-be novelist, tries to get a foot into the door with celebrities. After divorcing his wife Robin, Lee gets to meet a lot folks of the rich and / or beautiful, partly through journalism, partly because he has a script to offer. But life among those from out-of-this-world is hard, and his putative success always results in defeat. Meanwhile Robin meets a very desirable TV-producer and takes the first steps in the world of celebrities herself.

Based on the biography of the same name. The Life and Death of Peter Sellers is the story of the comic actor, who would later immortalize bumbling Inspector Clouseau in the Pink Panther series. From his beginnings in show business as a variety performer to his ultimate success as a movie star, Peter Sellers was a man of many faces. But it was also that moniker that caught up with his personal life, when Sellers was a man without an identity and only a library of oddball characters to make up for his personality. Focusing on his rising success and his family life, The Life and Death of Peter Sellers is the story of a man whose personal life clashed with stardom, while he was an individual completely immersed in the characters he portrayed.

An aspiring Irish actor and his family illegally immigrate in the United States with the dreams of the father breaking into the New York City theatrical scene. Once they arrive in the big city, they move into a flop house and try to make it truly their home. While they struggle to fit in their new country, the family finds new friends like the reclusive neighbor, Mateo, who provide help in the most unexpected ways in America.

It’s a drama about theatre life in the 1930s during the times of the Great Depression, the Red Scare (communism), facism, unions, Hitler, Mussolini, New York mayor Nelson Rockefeller, director Orson Welles, painter Diego Rivera, and William Randolph Hearst. This film focuses on the lives of several people during hard times in New York as many struggle to find their place in America. The main focus of the film is a play entitled “Cradle Will Rock,” which tells a pro-union story about lower class workers trying to survive in a growing power-hungry world.

In 14th-century England, a young monk breaks his vow of chastity and flees the wrath of his bishop and fellow monks. A fugitive priest, he then witnesses the murder of a traveling performer—and subsequently, the mourning of actor by his fellow troupe members. He eventually becomes initiated into the troupe as a player, replacing the murdered man. They travel from town to town performing their standard morality play. They arrive in a town where a boy has been killed and a young deaf-mute girl has been imprisoned for the crime—sentenced to death for witchcraft and murder. Discarding the expected bible stories, the actors stage a performance based on the crime. Through the performance of the play, they discover that the townspeople know the young woman did not, in fact, commit the murder. The stage becomes a place where vital human truth is told. Thus, simultaneously, the fugitive priest comes to terms with his own crime and makes a powerful sacrifice, thereby redeeming himself.

Craig, a puppeteer, takes a filing job in a low-ceilinged office in Manhattan. Although married to the slightly askew Lotte, he hits on a colleague, the sexually frank Maxine. She’s bored but snaps awake when he finds a portal leading inside John Malkovich: for 15 minutes you see, hear, and feel whatever JM is doing, then you fall out by the New Jersey Turnpike. Maxine makes it commercial, selling trips for $200; also, she’s more interested in Lotte than in Craig, but only when Lotte is inside JM. JM finds out what’s going on and tries to stop it, but Craig sees the portal as his road to Maxine and to success as a puppeteer. Meanwhile, Lotte discovers others interested in the portal.

A take on the classic tale ‘The Boy Who Cried Wolf’, ‘Big Fat Liar’ is about a 14-year-old boy named Jason Shephard (Frankie Muniz) who lies for the fun of it. Jason loses an important story assignment entitled ‘Big Fat Liar’ in movie producer Marty Wolf’s (Paul Giamatti) limo, which Wolf then turns into a film. When Jason sees a movie preview of his story, he and best friend Kaylee (Amanda Bynes) go to Los Angeles to make Wolf confess to using Jason’s story as well as to clear Jason’s name and to get him out of having to attend summer school. The teen liar then has to match wits with Wolf, who also turns out to be a big liar.

An Innuit hunter races his sled home with a fresh-caught halibut. This fish pervades the entire film, in real and imaginary form. Meanwhile, Axel tags fish in New York as a naturalist’s gofer. He’s happy there, but a messenger arrives to bring him to Arizona for his uncle’s wedding. It’s a ruse to get Axel into the family business. In Arizona, Axel meets two odd women: vivacious, needy, and plagued by neuroses and familial discord. He gets romantically involved with one, while the other, rich but depressed, plays accordion tunes to a gaggle of pet turtles.

Antonio Salieri believes that Mozart’s music is divine. He wishes he was himself as good a musician as Mozart so that he can praise the Lord through composing. But he can’t understand why God favored Mozart, such a vulgar creature, to be his instrument. Salieri’s envy has made him an enemy of God whose greatness was evident in Mozart. He is set to take revenge.