Gangster Sonny is the big man in Calogero’s Bronx neighborhood. A shooting witnessed by Calogero is the starting point of a lasting bond between the gangster and the small boy. Father (bus driver Lorenzo), however, disap- proves. Calogero grows up under the wings of both men, torn between his own natural honesty and his fascination with Sonny. C’s neighborhood cronies get involved in theft, use of guns, racial fights. When C meets girl, things don’t become easier. C’s leap to manhood is marked by tragedy, but also by his recognition of the many faces of love.

Policemen Bonaro and Madigan lose their guns to fugitive Barney Benesch. As compensation, the two NYC detectives are given a weekend to bring Benesch to justice. While Bonaro and Madigan follow up on various leads, Police Commissioner Russell goes about his duties, including attending functions, meeting with aggrieved relatives, and counseling the spouses of fallen officers.

Set against the urban jungle of 1963 New York’s gangland subculture, this coming of age teenage movie is set around the Italian gang the Wanderers. Slight comedy, slight High School angst and every bit entertaining with its classic 1950’s Rock n’ Roll soundtrack such as “Walk Like a Man”, “Big Girls Don’t Cry” by The Four Seasons and “My Boyfriend’s Back” by The Angels. Focusing around a football game where the different gangs play with and against each other, then at its grand finale, come together in a mass of union to defend their honour and their turf. Nostalgic stuff and above all a Rock n’ Roll retrospective on a grand musical era. Timeless.

Louie is a New York slum landlord who is given 120 days to repair one of his apartment blocks. The problem for Louie is that he must live in the rundown block until the repairs are complete. Louie’s father is the real boss, and he has no intention of paying for the repairs. This leaves Louie to live in the squaller his tenants endure all year round.

A successful talk show host leaves Los Angeles to reunite with his family in the Deep South.

The true life story of Ralph Waldo “Petey” Greene Jr. In the mid-to-late 1960s, in Washington, D.C., vibrant soul music and exploding social consciousness were combining to unique and powerful effect. It was the place and time for Petey to fully express himself - sometimes to outrageous effect - and “tell it like it is.” With the support of his irrepressible and tempestuous girlfriend Vernell, the newly minted ex-con talks his way into an on-air radio gig. He forges a friendship and a partnership with fellow prison inmate Milo’s brother Dewey Hughes. From the first wild morning on the air, Petey relies on the more straight-laced Dewey to run interference at WOL-AM, where Dewey is the program director. At the station, Petey becomes an iconic radio personality, surpassing even the established popularity of his fellow disc jockeys, Nighthawk and Sunny Jim. Combining biting humor with social commentary, Petey openly courts controversy for station owner E.G. Sonderling. Petey was determined to make not just himself but his community heard during an exciting and turbulent period in American history. As Petey’s voice, humor, and spirit surge across the airwaves with the vitality of the era, listeners tune in to hear not only incredible music but also a man speaking directly to them about race and power in America like few people ever have. Through the years, Petey’s “The truth just is” style — on - and off-air - would redefine both Petey and Dewey, and empower each to become the man he would most like to be.

Anton Jackson is an African-American man who seems harmless enough on the surface, but is a secret agent in the all-black Brotherhood, an entity that levels the playing field against the all-white establishment. Partnered with the sassy, stunning Sistah Girl, our hero must first undergo the ultimate attitude adjustment and trade in his ‘fro and platforms for tennis sweaters and penny loafers. Once the transformation is complete, he’s ready to take on the evil perpetrators of Operation Whitewash—Mr Feather, Penelope Snow aka White She Devil, and, ultimately, The Man.

Marshall, Texas, described by James Farmer, Jr. as “the last city to surrender after the Civil War,” is home to Wiley College, where, in 1935-36, inspired by the Harlem Renaissance and his clandestine work as a union organizer, Professor Melvin Tolson coached the debate team to a nearly-undefeated season that included the first debate between students from white and Negro colleges and ended with an invitation to face Harvard University’s national champions. The team of four, which included a female student and a very young James Farmer, is tested in a crucible heated by Jim Crow, sexism, a lynch mob, an arrest and near riot, a love affair, jealousy, and a national radio audience.

In 1989, Nino Brown, a small time drug dealer, is convinced by one of his fellow thugs that the wave of the future is in the cocaine derivative, crack. Brown sees potential in crack and sets out to establish himself as chief kingpin by killing off his rivals and even going as far as to take over a whole apartment complex. Out to stop him are undercover cops Scottie Appleton and Nick Paretti. Appleton especially wants to get Nino because of the fact that he murdered Scottie’s mother as part of a gang initiaton. Also involved is Pookie, a former crackhead who wants to bring down Nino as well.

Six incarnations of Bob Dylan: an actor, a folk singer, an electrified troubadour, Rimbaud, Billy the Kid, and Woody Guthrie. Put Dylan’s music behind their adventures, soliloquies, interviews, marriage, and infidelity. Recreate 1960s documentaries in black and white. Put each at a crossroads, the artist becoming someone else. Jack, the son of Ramblin’ Jack Elliott, finds Jesus; handsome Robbie falls in love then abandons Claire. Woody, a lad escaped from foster care, hobos the U.S. singing; Billy awakes in a valley threatened by a six-lane highway; Rimbaud talks. Jude, booed at Newport when he goes electric, fences with reporters, pundits, and fans. He won’t be classified.