The fifth Tennessee Williams play to reach the screen, wealthy Mississippi plantation owner Big Daddy Pollitt, unaware that he’s dying of cancer and disturbed by the strained and childless marriage of his favored alcoholic son Brick and his other son, Gooper, whose wife is about to bring forth another in the endless line of little “no-neck monsters,” celebrates his sixty-fifth birthday with his family. Brick’s wife, Maggie, beautiful and desirable, tries unsuccessfully to coax her husband away from the bottle, while alternately enticing him and taunting him about his obsession with his deceased best friend and the guilt about their relationship. The seamy tensions reach a climax when the truth of Big Daddy’s health is revealed, and he and Brick manage to resolve their differences.

Penny’s love for her partner, taxi-driver Phil, has run dry. He is a gentle, philosophical guy, and she works on the checkout at a supermarket. Their daughter Rachel cleans in a home for elderly people, and their son Rory is unemployed and aggressive. The joy has gone out of Phil’s and Penny’s life, but when an unexpected tragedy occurs, they are brought together to rediscover their love. All or Nothing is set on a London working-class housing estate over a long weekend, and also tells the stories of a range of Phil and Penny’s neighbors, some of whom become involved in the family’s lives, and all of whom experience an emotional journey.

Comedy about the prospective Washington State Governor Al Donnelly (Matheson) whose only stumbling block on the road to power is his embarrassing younger brother Mike (Farley). To keep him out of mischief, Al forces one of his aides, Steve Dodds (Spade) to keep an eye on him during the election. However, this is easier said than done…

Three notebooks supposedly containing Russian military secrets are handed to a British publisher during a Russian book conference. The British secret service are naturally keen to learn if these notebooks are the genuine article. To this end, they enlist the help of the scruffy British publisher Barley Blair, who has plenty of experience with Russian and Russians. Barley, an unconventionaly character who doesn’t respond well to authority, finds himself in a game more complex than he first thought when he digs into the origin of the notebooks.

Mickey Rourke plays Henry Chinaski, a poet and alcoholic. He spends his life in bars in Los Angeles, drinking every night. One day he meets Wanda, also a alcoholic and falls in love with her. Wanda is not like his former girlfriends, one is still able to see the beauty she once was before she started to drink. Together they meet Tully Sorenson, who wants to publish some of Henry’s poems. For a short time he becomes famous but in the end it is clear that Henry and Wanda have only one goal in life: drinking to forget the lousy life they live outside the bars of Los Angeles.

After getting into a car accident while drunk on the day of her sister’s wedding, Gwen Cummings is given a choice between prison or a rehab center. She chooses rehab, but is extremely resistant to taking part in any of the treatment programs they have to offer, refusing to admit that she has an alcohol addiction. After getting to know some of the other patients, Gwen gradually begins to re-examine her life and see that she does, in fact, have a serious problem. The path to recovery will not be easy, and success will not be guaranteed or even likely, but she is now willing to give it a try.

The true life story of Ralph Waldo “Petey” Greene Jr. In the mid-to-late 1960s, in Washington, D.C., vibrant soul music and exploding social consciousness were combining to unique and powerful effect. It was the place and time for Petey to fully express himself - sometimes to outrageous effect - and “tell it like it is.” With the support of his irrepressible and tempestuous girlfriend Vernell, the newly minted ex-con talks his way into an on-air radio gig. He forges a friendship and a partnership with fellow prison inmate Milo’s brother Dewey Hughes. From the first wild morning on the air, Petey relies on the more straight-laced Dewey to run interference at WOL-AM, where Dewey is the program director. At the station, Petey becomes an iconic radio personality, surpassing even the established popularity of his fellow disc jockeys, Nighthawk and Sunny Jim. Combining biting humor with social commentary, Petey openly courts controversy for station owner E.G. Sonderling. Petey was determined to make not just himself but his community heard during an exciting and turbulent period in American history. As Petey’s voice, humor, and spirit surge across the airwaves with the vitality of the era, listeners tune in to hear not only incredible music but also a man speaking directly to them about race and power in America like few people ever have. Through the years, Petey’s “The truth just is” style — on - and off-air - would redefine both Petey and Dewey, and empower each to become the man he would most like to be.

Oddball cop and tough guy, Jack Cates is the only survivor of a cop shooting and in hunting down the murderer collects Reggie Hammond from jail for 48 hours. Hammond is oddly motivated to help. The killer is searching for his stash of cash. Cates and Hammond who have the Black-white, cop-crook thing to work out make surprisingly good partners as they navigate through the city looking for their suspect.

A gang of forty motorcyclists, the Black Rebels Motorcycle Club, gate-crash a legitimate motorcycle race. They are eventually thrown out, but one of the gang steals the second prize trophy and gives it to their leader, Johnny. The gang then ride into Wrightsville, where they race up and down the main street before piling into Bleekers - the local bar. The owner of the bar is happy to let the bikers spend their money, so does not support the sheriff’s attempt to address any disturbances. Stuck in town following an accident to a Black Rebel, Johnny falls for the sheriff’s daughter and tries to impress her with the trophy. When a rival gang, The Beetles, ride into town, trouble is just around the corner.

A loving father explains the value of promise and believing to his two boys trough the story of young Mike and his kid brother Bobby, who being abandoned by their dad had to move with ma and German shepherd Shane to a rural town where the local kids, lorded by abusive older scamp Victor Hernandez, consider them intruders ’stealing’ their predecessors’ place. Alas the friendly sheriff Daugherty, whose protection they politely wave, will have to act against a far worse bully, ma’s new lover who expects to be called the king and belts Bobby’s back brutally when drunk in the garage, a secret the boys want to keep secret for finally happy ma. The superstitious brothers spend their time exploring, pulling a wheeled red wagon called Radio Flyer, which name finally inspires a desperate ‘magical escape’ attempt…