A young Jewish American flies to the Ukraine in search of his grandfather’s past. He has a photograph and the name of a village. He hires the Odessa Heritage Tours, made up of a gruff old man and his English-speaking grandson. The three, plus grandfather’s deranged dog, travel in an old car from Odessa into Ukraine’s heart. Jonathan, the American, is a collector, putting things he finds into small plastic bags, so he will remember. Alex, the interpreter, is an archetypal wild and crazy guy. Alex asks the old man, “Was there anti-Semitism in the Ukraine before the war?” Will they find the village? The past illuminates everything.

Oskar Schindler is a vain, glorious and greedy German businessman who becomes unlikely humanitarian amid the barbaric Nazi reign when he feels compelled to turn his factory into a refuge for Jews. Based on the true story of Oskar Schindler who managed to save about 1100 Jews from being gassed at the Auschwitz concentration camp. A testament for the good in all of us.

After breaking up with his girlfriend Annie Hall, neurotic comedian Alvy Singer goes on a stream of conciousness journey through his memories of their relationship, trying to find out what caused them to part ways. He often breaks the fourth wall, speaking to the camera, entering peoples’ stories, and even using animation.

Carlito Brigante is released from jail after serving five years of a much longer stretch. He vows to go straight and to live life as a fine, upstanding citizen. He even rekindles a romance with his ex-lover. However, Carlito’s associates cannot seem to leave him in peace…his nephew involves him a pool-room gunfight, his lawyer asks him for “favours” which spiral out of control, and even an old friend (now a wheelchair bound paraplegic) tries to get him into trouble with the law. Carlito decides to make a run for Florida and the promise of a new life, but has one final dramatic escape to make from some hoods who believe (wrongly) that he was behind the murder of their boss.

“One Night With The King” chronicles the life of the young Jewish girl, Hadassah, who goes on to become the Biblical Esther, the Queen of Persia, and saves the Jewish nation from annihilation at the hands of its arch enemy while winning the heart of the fiercely handsome King Xerxes.

The story, told in flashback, of two young British sprinters competing for fame in the 1924 Olympics. Eric, a devout Scottish missionary runs because he knows it must please God. Harold, the son of a newly rich Jew runs to prove his place in Cambridge society. In a warmup 100 meter race, Eric defeats Harold, who hires a pro trainer to prepare him. Eric, whose qualifying heat is scheduled for a Sunday, refuses to run despite pressure from the Olympic committee. A compromise is reached when a nobleman allows Eric to compete in his 400 meter slot. Eric and Harold win their respective races and go on to achieve fame as missionary and businessman/athletic advocate, respectively.

Four horror/science-fiction segments directed by four of Hollywood’s famous directors based on TV’s most popular anthology series, bookened by a funny and scary prologue and epilogue featuring Dan Aykroyd and Albert Brooks. In the first story directed by John Landis (a vague remake of the Twilight Zone episode “A Quality of Mercy”) a loud-mouthed bigotted businessman (Vic Morrow) with an intense hatred for Jews, blacks, and Asians, gets the tables turned on him when he walks out a bar and is inexplicably transported back in time to being pursued by Nazis in 1940’s France, then as an African-American at a KKK rally in the 1950s Deep South, and as a Vietnamese in 1960s Vietnam. The second story directed by Stephen Spielberg (a remake of ‘Kick the Can’) an old man (Scatman Crothers) arrives at a retirement home and makes the wishes of the residents come true when he magically transforms them into youthful incarnations of their days gone by. The third story directed by Joe Dante (a remake of ‘It’s a Good Life’) a young woman on the road (Kathleen Quinlan) gives a ride to a mysterous 10-year-old boy (Jeremy Licth) to his house and ends up trapped with other people in an alternate reality created by the boy’s imagination. The fourth story directed by George Miller (a remake of ‘Nightmare at 20,000 Feet) stars John Lithgow as an passenger on an airline whom sees, but cannot convince anyone, a mysterious creature on the outside wing of the airplane trying to sabotage the aircraft.

Erstwhile childhood friends, Judah Ben-Hur and Messala meet again as adults, this time with Roman officer Messala as conqueror and Judah as a wealthy, though conquered, Israelite. A slip of a brick during a Roman parade causes Judah to be sent off as a galley slave, his property confiscated and his mother and sister imprisoned. Years later, as a result of his determination to stay alive and his willingness to aid his Roman master, Judah returns to his homeland an exalted and wealthy Roman athlete. Unable to find his mother and sister, and believing them dead, he can think of nothing else than revenge against Messala.

Film version of the stage musical, based on the stories of Sholom Aleichem. Tevye the Milkman is a Jewish peasant in pre-Revolutionary Russia, coping with the day-to-day problems of ’shtetl’ life, his Jewish traditions, his family (wife and daughters), and state-sanctioned pogroms.

Brendan Behan, a sixteen year-old republican, is going on a bombing mission from Ireland to Liverpool during the second world war. His mission is thwarted when he is apprehended, charged and imprisoned in Borstal, a reform institution for young offenders in East Anglia, England. At Borstal, Brendan is forced to live face-to-face with those he perceived as “the enemy,” a confrontation that reveals a deep inner conflict in the young Brendan and forces a self-examination that is both traumatic and revealing. Events take an unexpected turn and Brendan is thrown into a complete spin. In the emotional vortex, he finally faces up to the truth.