“Frida” chronicles the life Frida Kahlo (Salma Hayek) shared unflinchingly and openly with Diego Rivera (Alfred Molina), as the young couple took the art world by storm. From her complex and enduring relationship with her mentor and husband to her illicit and controversial affair with Leon Trotsky, to her provocative and romantic entanglements with women, Frida Kahlo lived a bold and uncompromising life as a political, artistic, and sexual revolutionary.

A beautiful, wealthy young party girl drops out of Radcliffe in 1965 and heads to New York to become Holly Golightly. When she meets a hungry young artist named Andy Warhol, he promises to make her the star she always wanted to be. And like a super nova she explodes on the New York scene only to find herself slowly lose grip on reality…

A contract killer sees a chance to free himself from a tragic past.

When her rather explicit copy is rejected, magazine journalist Kate is asked by her editor to come up with an article on loving relationships instead, and to do so by the end of the day. This gets Kate thinking back over her own various experiences, and to wondering if she is in much of a position to write on the subject.

This suspense thriller unfolds as the audience is introduced to David Dunn, played by Willis. Not only is he the sole survivor of a horrific train-crash that killed 131 people he doesn’t have a scratch on him. Samuel L Jackson plays an obscure character who approaches Dunn with a seemingly far fetched theory behind it all rocketing off an enticing thriller with a sci fi twist

Can a risk-averse insurance salesman on the rebound from his bride’s infidelity (during their honeymoon) find happiness with a waitress he knew in junior high who’s averse to commitment? Reuben is a sweet klutz who’s ready to settle down but sees in her a chance to recover from disappointment and have some fun; Polly is a sweet itinerant, not ready to settle down but sees a chance to spend time with a nice guy who likes her. What will he do when his bride comes crawling back? What will Polly do, when he runs the numbers and thinks she’s a good risk? Sub-plots involve his self-centered pal, who’s a has-been actor, and an assignment to assess the insurability of a balls-out Aussie.