In 19th-century New Mexico, a father (Tommy Lee Jones) comes back home, hoping to reconcile with his adult daughter Maggie (Cate Blanchett). Maggie’s daughter is kidnapped, forcing father and estranged daughter to work together to get her back.

After a violent combat against the bugs in their planet, with many casualties of humans under the command of a coward officer, a group of troopers looks for shelter in an abandoned military post. The psychic Pvt. Lei Sahara (Colleen Porch) finds and releases Capt. V.J. Dax (Richard Burgi), who was left behind locked in a cell by his troop, after killing a general. Dax and two privates, in a daring mission, save Gen. J. G. Shepherd (Ed Lauter) and some soldiers from an attack of the bugs, and Shepherd gives him a command position. While waiting for rescue, some troopers are invaded through their mouths by small bugs that took control of their brains. When Gen. Shepherd is possessed by one creature, Dax and Sahara try to prevent him getting back to the Federation.

Based on the Alessandro Baricco’s novel this is the story of a married silkworm smuggler, Herve Joncour, in 19th Century France who travels to Japan to collect his clandestine cargo. While there he spots a beautiful Japanese woman, the concubine of a local baron, with whom he becomes obsessed. Without speaking the same language, they communicate through letters until war intervenes. Their unrequited love persists however, and Herve’s wife Helene begins to suspect.

Dorchester, one of the toughest neighborhoods in all of Boston, is no place for the weak or innocent. Its a territory defined by hard heads and even harder luck, its streets littered with broken families, hearts, dreams. When one of its own, a 4-year-old girl, goes missing, private investigators Patrick Kenzie and Angela Gennaro don’t want the case. But after pleas from the child’s aunt, they open an investigation that will ultimately risk everything — their relationship, their sanity, and even their lives — to find a little girl-lost.

On November 16, 1959, Truman Capote reads about the murder of a Kansas family. There are no suspects. With Harper Lee, he visits the town: he wants to write about their response. First he must get locals to talk, then, after arrests, he must gain access to the prisoners. One talks constantly; the other, Perry Smith, says little. Capote is implacable, wanting the story, believing this book will establish a new form of reportage: he must figure out what Perry wants. Their relationship becomes something more than writer and character: Perry killed in cold blood, the state will execute him in cold blood; does Capote get his story through cold calculation, or is there a price for him to pay?

An intimate story set during the 1860s in which a young Irish woman Sarah (Samantha Morton) and her family find themselves on both sides of the turbulent wars between British and Maori during the British colonisation of New Zealand.

NASCAR stock car racing sensation Ricky Bobby is a national hero because of his “win at all costs” approach. He and his loyal racing partner, childhood friend Cal Naughton Jr., are a fearless duo — “Shake” and “Bake” by their fans for their ability to finish so many races in the #1 and #2 positions, with Cal always in second place. When flamboyant French Formula One driver Jean Girard challenges “Shake” and “Bake” for the supremacy of NASCAR, Ricky Bobby must face his own demons and fight Girard for the right to be known as racing’s top driver.

Justin (Lou Taylor Pucci) is a teenager boy, who has an oral obsession with his thumb. His mother (Tilda Swinton) seems to be a normal housekeeper, but she has her own obsessions as well, like a crush on a TV-star (Benjamin Bratt). The only person who’s aware of Justin’s problem is his father (Vincent D’Onofrio), manager in a store, but none of his advices seem to be working for Justin. The kid is signed up in a debate workshop, but the thing isn’t going well, because he has his mind in a pretty classmate and, of course, in his thumb, affecting all the rest of his classes. So, Justin is a loner kid in the school, who prefers to lock himself in the bathroom and suck his thumb. Justin’s dentist (Keanu Reeves), a mystical-hippie person, will try to help to overcome his thumb problem, through the hypnosis. But the school’s psychologist will diagnose Justin with the Attention Deficit Disorder, and will prescribe him some drugs. Suddenly, Justin’s problem with his thumb will disappear, becoming an hyperactive genius, winning several debate contests and the admiration from his teacher (Vince Vaughn). Nevertheless, more serious problems will come for Justin with his mother, his father and with a drug addiction.

Guaranteed to make you want to stop bird-watching and put the old bird feeder to the ax—at least for a while. The whole thing starts when Melanie Daniels is crossing a lake and is nipped by a gull. Gradually, incidence of bird damage to humans by pecking increases. Glass windows splinter before diving birds, children are sent home from school to safety, townspeople take refuge in a lunchroom, Miss Daniels in a phone booth, and finally everyone hides in homes tightly boarded up against repeated attacks by the birds. It’s enough to make you kick the next pigeon you come across.

Joe Hickley thinks he’s got a great scheme: kidnap the child of rich parents, hold it for 24 hours, keeping the mother under his control while an accomplice gets the ransom from the father, who is on a trip. But things go very wrong when he tries this scheme on the Jennings family, in part because their daughter Abby is asthmatic, and in part because the Jennings’ find out more than Hickley wants them to know.