Set in New Orleans. Remy McSwain, lieutenant in Homicide finds that he has two problems, the first of a series of gang killings and Ann Osborne, a beautiful attorney from the D.A.’s police corruption task force in his office. He begins a relationship with her as the killings continue only to have charges filed against him for accepting bribes as he stumbles on a police corruption Sting. While this is happening, the criminals insist that none of the crime gangs are behind the killings.

Carlito Brigante is released from jail after serving five years of a much longer stretch. He vows to go straight and to live life as a fine, upstanding citizen. He even rekindles a romance with his ex-lover. However, Carlito’s associates cannot seem to leave him in peace…his nephew involves him a pool-room gunfight, his lawyer asks him for “favours” which spiral out of control, and even an old friend (now a wheelchair bound paraplegic) tries to get him into trouble with the law. Carlito decides to make a run for Florida and the promise of a new life, but has one final dramatic escape to make from some hoods who believe (wrongly) that he was behind the murder of their boss.

A street-wise kid, Mark Sway, sees the suicide of Jerome Clifford, a prominent Louisiana lawyer, whose current client is Barry ‘The Blade’ Muldano, a Mafia hit-man. Before Jerome shoots himself, he tells Mark where the body of Senator Boyd Boyette is buried. Mark escapes, and Clifford shoots himself. Mark is found at the scene, and both the FBI and the Mafia quickly realize that Mark probably knows more than he says. Mark decides he needs a lawyer, and goes looking for one. He finds Reggie Love, who also becomes convinced that Mark knows more than he says, but Mark isn’t talking…

Financial “Master of the Universe” Sherman McCoy sees his life unravel when his mistress Maria Ruskin hits a black boy with his car. When yellow journalist Peter Fallow enflames public opinion with a series of distorted tabloid articles on the accident, the case is seized upon by opportunists like Reverend Bacon and mayoral candidate D.A. Abe Weiss.

Rookie Los Angeles cop Nick Styles is at a Los Angeles street fair, where hit man Earl Talbot Blake pulls a double cross on some drug dealers, killing four men. Minutes later, Nick shoots Blake in the knee, and Blake is grabbed by Nick’s partner and best friend Larry Doyle. Nick becomes the focus of the media, thanks to an amateur cameraman’s footage of Nick disarming Blake. Over the next few years, Nick’s career takes off: he’s offered a job in the district attorney’s office, and his hip media style keeps him in the public eye. Nick marries a woman named Alice and they go on to have two daughters named Lisa and Monica. While Blake is in prison, he vows revenge on Nick. When Blake comes up for parole, he orchestrates a bloody escape — which includes faking his own death. Blake doesn’t want Nick dead. He just wants Nick to suffer in spades. He wants to ruin Nick’s life as completely as possible, and then have Nick sent to prison for murder so Nick will know how Blake feels. Blake begins his vendetta by killing city councilman U. B. Farris and planting evidence to make everyone think Nick and Farris are running an underage pornography ring. Blake then kidnaps Nick, forces him to take drugs and have sex with a prostitute, videotapes the whole thing, and then releases Nick. Nick tells everyone that it was Blake who kidnapped him, but everyone refuses to believe Nick because everyone thinks Blake is dead. That night, Blake breaks into Nick’s house, and makes a threatening videotape with Lisa, Monica, and an ax in it, but Blake didn’t actually do anything to Lisa and Monica. Nick is then suspended from the DA’s office, with everyone thinking that Nick is mentally ill because he keeps saying that Blake is still alive. Blake then begins the final phase of his vendetta — he kills Larry and frames Nick for it. Blake also links Nick to misappropriation of public funds, specifically, the funds he’s supposed to be raising for a children’s center in a building at the base of the Watts tower. Nick is forced to turn to his childhood friend, gang leader Odessa, for help in clearing his name and stopping Blake once and for all.

On November 16, 1959, Truman Capote reads about the murder of a Kansas family. There are no suspects. With Harper Lee, he visits the town: he wants to write about their response. First he must get locals to talk, then, after arrests, he must gain access to the prisoners. One talks constantly; the other, Perry Smith, says little. Capote is implacable, wanting the story, believing this book will establish a new form of reportage: he must figure out what Perry wants. Their relationship becomes something more than writer and character: Perry killed in cold blood, the state will execute him in cold blood; does Capote get his story through cold calculation, or is there a price for him to pay?

Wealthy, brilliant, and meticulous Ted Crawford, a structural engineer in Los Angeles, shoots his wife and entraps her lover. He signs a confession; at the arraignment, he asserts his rights to represent himself and asks the court to move immediately to trial. The prosecutor is Willy Beachum, a hotshot who’s soon to join a fancy civil-law firm, told by everyone it’s an open and shut case. Crawford sees Beachum’s weakness, the hairline fracture of his character: Willy’s a winner. The engineer sets in motion a clockwork crime with all the objects moving in predictable ways.

In tone with the early “Batman: Year One” style comics. As a boy a young Bruce Wayne watched in horror as his millionaire parents were slain in front of his eyes, a trauma which led him to become obsessed with revenge but his chance is cruelly taken away from him by fate. After disappearing to the East where he seeks counsel with the dangerous but honorable ninja cult leader known as Ra’s Al-Ghul, he returns to his now decaying Gotham City overrun by organized crime and dangerous individuals manipulating the system whilst the company he inherited is slowly being pulled out from under him. The discovery of a cave under his mansion, and a prototype armored suit leads him to take on a new persona, one which will strike fear into the hearts of men who do wrong - he becomes, Batman. In the new guise, and with the help of rising cop Jim Gordon, Batman sets out to take down the various nefarious schemes in motion by individuals such as mafia don Falcone, the twisted doctor/drug dealer Jonathan ‘The Scarecrow’ Crane, and a mysterious third party that is quite familiar with Wayne and waiting to strike when the time is right.

1950’s Los Angeles is the seedy backdrop for this intricate noir-ish tale of police corruption and Hollywood sleaze. Three very different cops are all after the truth, each in their own style: Ed Exley, the golden boy of the police force, willing to do almost anything to get ahead, except sell out; Bud White, ready to break the rules to seek justice, but barely able to keep his raging violence under control; and Jack Vincennes, always looking for celebrity and a quick buck until his conscience drives him to join Exley and White down the one-way path to find the truth behind the dark world of L.A. crime.