A political satire set in Turaqistan, a country occupied by an American private corporation run by a former US Vice-President (Aykroyd). In an effort to monopolize the opportunities the war-torn nation offers, the corporation’s CEO hires a troubled hit man (Cusack), to kill a Middle East oil minister. Now, struggling with his own growing demons, the assassin must pose as the corporation’s Trade Show Producer in order to pull off this latest hit, while maintaining his cover by organizing the high-profile wedding of Yonica Babyyeah (Duff) an outrageous Middle Eastern pop star, and keeping a sexy left wing reporter (Tomei) in check.

Numerous New York City-dwellers come to the exclusive club Shortbus to work out problems in their sexual relationships. Rob and Sophia are a happily married couple, except for the fact that she has never experienced sexual climax. This irony follows her to work, because she is a couples counselor who frequently has to deal with the sexual issues other couples have. Two of her patients are Jamie and James, a gay couple who have been monogamous for five years and counting. James wants to bring other men in to the relationship, and his own history with depression may hint at an ulterior motive. Ceth (Pronounced like Seth) may be the perfect addition to their family, but Caleb, a voyeur from across the street, may have his own ideas about that. Sophia visits Severin, a dominatrix with secrets of her own to reveal.

Disheveled musician and college student Adam (Cameron Douglas, son of Michael Douglas) goes out of his way to meet the beautiful Eve (Emmanuelle Chriqui) on campus. In no time, the two are in love. Everything goes swimmingly except in the bedroom, where Eve asserts her right to remain a virgin until she’s ready. Adam—though deferential—takes her requirement personally and demands to know what “ready” means. The pair go on like this for months, with Adam remaining true to his passion for Eve, despite howls of protest from his degenerate housemates (among them Jake Hoffman, son of Dustin Hoffman)…

As the film opens on an Oklahoma farm during the depression, two simultaneous visitors literally hit the Wagoneer home: a ruinous dust storm and a convertible crazily driven by Red, the missus’ brother. A roguish country-western musician, he has just been invited to audition for the Grand Ole Opry, his chance of a lifetime to become a success. However, this is way back in Nashville, Red clearly drives terribly, and he’s broke and sick with tuberculosis to boot. Whit, 14, seeing his own chance of a lifetime to avoid “growing up to be a cotton picker all my life,” begs Ma to let him go with Uncle Red as driver and protege. Thus begins a picaresque journey both hilarious and poignant.

A guy starts a fake casting agency in hopes that he will meet his soul mate.

For twelve years, the methodic IRF agent Harold Crick has had a routine lonely life guided by his wristwatch. However, one day he hears the narration of his life in off, telling that he is going to die pretty soon. Meanwhile, he audits Ana Pascal, the owner of a bakery that is in debt with the IRF, and falls in love for her. Harold is advised by Professor Jules Hilbert to change his monotonous lifestyle while he tries to find Karen Eiffel, the author of the story of his life, who is researching means of killing the character, and convince her to change the ending of the story.

Everyone’s born with one special thing, and Eddie Adams uses his humongous “asset” to take the world of film pornography by storm. Things get ugly though when success leads to drugs and ruin. Will Dirk clean up and get back on top? Will Amber see her son? Will Rollergirl ever take off her skates?!

Wayne is back, this time trying to organize a rock festival with help from friend Garth and the spirit of Jim Morrison (Doors). Meanwhile, his girlfriend’s manager is busy trying to woo her away from Wayne and move her to LA. Life gets interesting when Wayne must rush from the concert to try and stop the wedding. Aerosmith are featured at the concert.

Six incarnations of Bob Dylan: an actor, a folk singer, an electrified troubadour, Rimbaud, Billy the Kid, and Woody Guthrie. Put Dylan’s music behind their adventures, soliloquies, interviews, marriage, and infidelity. Recreate 1960s documentaries in black and white. Put each at a crossroads, the artist becoming someone else. Jack, the son of Ramblin’ Jack Elliott, finds Jesus; handsome Robbie falls in love then abandons Claire. Woody, a lad escaped from foster care, hobos the U.S. singing; Billy awakes in a valley threatened by a six-lane highway; Rimbaud talks. Jude, booed at Newport when he goes electric, fences with reporters, pundits, and fans. He won’t be classified.

Wayne is still living at home. He has a world class collection of name tags from jobs he’s tried, but he does have his own public access TV show. A local station decides to hire him and his sidekick, Garth, to do their show professionally and Wayne & Garth find that it is no longer the same. Wayne falls for a bass guitarist and uses his and Garth’s Video contacts to help her career along, knowing that Ben Oliver, the sleazy advertising guy who is ruining their show will probably take her away from him if they fail.