A martial artist hunts a killer in a plague-infested urban dump of the future. He is the protective escort for a half-human, half-cyborg woman whose programming contains a possible cure for a plague that’s threatening to wipe out the entire population of Earth. But a woman is kidnapped by the martial artist’s evil nemesis while they are en route to her Atlanta headquarters. That leads him right into a lion’s den of sadomasochistic torture and torment.

Dr. Evil uses a device he calls a “Time Machine” to travel back to 1969 and remove Austin Powers’ mojo. The sexually wounded swinger must travel back in time and, with the help of agent Felicity Shagwell, recover his vitality. Meanwhile, Dr. Evil’s personal life runs amok as he discovers love, continues to shun his son and develops a close relationship with himself. Well, actually, a clone 1/8 his size whom he dubs “Mini-Me”. The always time-baffled Dr. Evil begins his plan to put a gigantic cannon on the moon, thus turning it into a device called either “The Death Star” or “Alan Parson’s Project,” depending on which name is available.

Major Benson Winifred Payne is being discharged from the Marines. Payne is a killin’ machine, but the wars of the world are no longer fought on the battlefield. A career Marine, he has no idea what to do as a civilian, so his commander finds him a job - commanding officer of a local school’s JROTC program, a bunch or ragtag losers with no hope. Using such teaching tools as live grenades and real bullets, Payne starts to instill the corp with some hope. But when Payne is recalled to fight in Bosnia, will he leave the corp who has just started the believe in him, or will he find out that killin’ ain’t much of a livin’?