After his daughter died in a hit and run, Freddy Gale has waited six years for John Booth, the man responsible, to be released from prison. On the day of release, Gale visits Booth and announces that he will kill him in one week. Booth uses his time to try and make peace with himself and his entourage, and even finds romance. Gale, whose life is spiralling down because of his obsession towards Booth, will bring himself on the very edge of sanity. At he end of the week, both men will find themselves on a collision course with each other.

Three Colors: Blue is the first part of Kieslowski’s trilogy on France’s national motto: Liberty, Equality, and Fraternity. Blue is the story of Julie who loses her husband, an acclaimed European composer and her young daughter in a car accident. The film’s theme of liberty is manifested in Julie’s attempt to start life anew free of personal commitments, belongings grief and love. She intends to spiritually commit suicide by withdrawing from the world and live completely independently, anonymously and in solitude in the Parisian metropolis. Despite her intentions, people from her former and present life intrude with their own needs. However, the reality created by the people who need and care about her, a surprising discovery and the music around which the film revolves heals Julie and irresistably draws her back to the land of the living.

In Middletown, at 11:14 PM, two cars accidents happen at the same time, affecting the lives of five different groups of people. A drunken driver hits a man in a lonely road near a bridge; three young men hits a woman with a van, one of the passenger has a severed penis while another man on the road shoots them; a young man robs a convenience store, with the support of the clerk; a man finds a body in a cemetery and gets rid off it; and a young woman pretending to be pregnant tries to raise money for an abortion. All of these characters and their fates are very connected.

Revolving around Truvy’s Beauty Parlor in a small parish in modern-day Louisiana, STEEL MAGNOLIAS is the story of a close-knit circle of friends whose lives come together there. As the picture opens, we find Drum Eatenton shooting birds in the trees of his back yard in preparation for his daughter’s wedding reception that afternoon. Shortly thereafter, M’Lynn and Shelby (Drum’s wife and daughter) depart for Truvy’s to get their hair done for the wedding. “Just the sweetest thing,” Annelle Depuy Desoto (who may or may not be married because her marriage may not be legal) is introduced to Truvy’s customers as her new “glamour technician.” While in the chairs, the sour-tempered Ouiser Boudreaux shows up and entertains the assemblage with her barbs. It seems that the only one of the group who truly understands Ouiser is Clairee who is recently widowed and looking for a diversion. As she says, later in the picture, “If you can’t find anything good to say about anybody, come sit by me.” Filled with humor and heartbreak, these “Steel Magnolias” make us laugh and cry as the realities of their lives in tiny Chiquapin Parish unfolds.

A young lady returns to her southern hometown to learn that her estranged father is in hiding, accused of murder in the swamps. But when the real culprit emerges, an inhuman, killing mass of mud and vines, more surprises emerge from the bog those of a town healer, of a secret buried years ago, and of the true identity of the vengeful Swamp Devil.

Horror thriller set in 17th century England about the children of a village slowly converting into a coven of devil worshipers.

This is the story of three gentle persons: Paul Rivers (Penn) an ailing mathematician lovelessly married to an English emigré (Gainsbourg), Christina Peck, an upper-middle-class suburban housewife, happily married and mother of two little girls, and Jack Jordan (Del Toro), an ex-convict who has found in his Christian faith the strength to raise a family. They will be brought together by a terrible accident that will change their lives. By the final frame, none of them will be the same as they will learn harsh truths about love, faith, courage, desire and guilt, and how chance can change our worlds irretrievably, forever.

After an explosion on a ferry kills over 500 people including a large group of party-going sailors, an ATF agent investigates the crime. AN FBI agent also joins the investigation. Impressed with the ATF agent’s skills, the FBI agent invites him to join a new team that has a new program that uses satellite technology to look backwards in time for 4-1/2 days to try to capture the terrorist. Meanwhile a young woman who was burned washes up on shore. Meant to look like part of of the explosion, the body arrives at its location too soon, which leads the agents to believe her death is related to the explosion. As they use the new technology to study the woman, the ATF agent determines that this is not satellite imagery but somehow is using a time warp. From this point in the film, the movie moves from a crime film to a sci-fi time paradox film. Nonetheless, the action is non-stop and always captivating. The end of the film may be confusing to some people, but it is all laid out if one cares to look carefully. Contains some extreme violence that some may find disturbing, particularly during the explosion when many people are shown jumping off the boat in flames.

In the final instalment of the Godfather Trilogy, an aging Don Michael Corleone seeks to legitimize his crime family’s interests and remove himself from the violent underworld but is kept back by the ambitions of the young. While he attempts to link the Corleone’s finances with the Vatican, Michael must deal with the machinations of a hungrier gangster seeking to upset the existing Mafioso order and a young protoge’s love affair with his daughter.