Cult classic anthology from two of horrors big wigs, Romero and Stephen King, the film contains 5 sections, held together with 50’s style comic images. A murdered man returns from the grave demanding his Father’s Day cake and death ensues, a meteor’s space ooze causes anything and anyone that comes in contact with it to grow (special appearance by Stephen King himself), a scheming vengeful husband buries his wife and her lover in sand to await death at high tide, a professor selects his nagging negative wife to become a tasty snack for a strange crated creature, and finally, a mean ole millionaire with an intense insect phobia becomes the prey of an army of cockroaches.

Top London cop, PC Nicholas Angel (Pegg) is good. Too good. And to stop the rest of his team looking bad, he is reassigned to the quiet town of Sandford. He is paired with Danny Butterman (Frost), who countlessly questions him on the action lifestyle. Everything seems quiet for Angel, until two actors are found decapitated. It is address to as an accident, but Angel isn’t going to accept that, especially when more and more people turn up dead. Angel and Danny clash with everyone, whilst trying to uncover the truth behind the mystery of the apparent “acidents”.

John and Laura Baxter are living in Venice when they meet a pair of elderly sisters, one of whom claims to be psychic. She insists that she sees the spirit of the Baxters’ daughter, who recently drowned. Laura is intrigued, but John resists the idea. He, however, seems to have his own psychic flashes, seeing their daughter walk the streets in her red cloak, as well as Laura and the sisters on a funeral gondola.

Two men wake up at opposite sides of a dirty, disused bathroom, chained by their ankles to pipes. Between them lies a dead man loosely clutching a hand-held tape player and a handgun. Each finds a tape the perfect fit for the player in their back pocket. They play the tapes. One is threatened, the other isn’t. But they have a task: One must kill the other by 6:00, or his wife and daughter will die. They find hacksaws in a toilet, and try to cut the chains, but it doesn’t work. They are the two newest victims of the Jigsaw Killer. In a flashback, we learn of Amanda, a girl who falls victim to the Jigsaw Killer. On her head is a mask, which is hooked into her lower jaw. There is a timer on it. Only one key will unlock it, and that key is in the digestive tract of her cell mate who lies paralyzed on the opposite side of the room. If she doesn’t unlock the mask in time, her lower jaw will be ripped wide open. She survives, but her cell mate doesn’t. Through a series of flashbacks, we learn of more victims, and of the nearly-successful capture of the Jigsaw Killer, who doesn’t actually kill his victims. Instead, he finds ways to make them kill either themselves, or each other, and he thinks the entire ‘game’ out perfectly, with no other ways out. Or so it would seem.

A young man hitchhiking back home to visit his mother is picked up by a mysterious stranger. As the ride goes on, the young man uncovers a terrible secret about the stranger, and is given a choice by the stranger. A choice that can mean life or death.

Hide and Seek revolves around a widower (Robert DeNiro) and his daughter (Dakota Fanning). They move to upstate and Emily (Fanning) soon creates an imaginary friend named Charlie…but this act takes an unexpected and terrifying turn, where her father and doctor (Famke Janssen) start to worry about Emily’s gruesome habits.

The Addams step out of Charles Addams’ cartoons. They live with all of the trappings of the macabre (including a detached hand for a servant) and are quite wealthy. Added to this mix is a crooked accountant and his loan shark and a plot to slip in the shark’s son into the family as their long lost Uncle Fester. Can the false Fester find his way into the vault before he is discovered?

Strangers from all different walks of life: a limo driver escorting a movie star, parents with a young son, a cop transporting a convict, a prostitute, a young couple, and a motel manager are caught up in a nasty rainstorm, stuck at a motel in desolate Nevada. Soon they realize they may be at the motel for another reason when one by one, people start getting killed off. As tensions flare and fingers are pointed, they have to get to the bottom of why they’re there. Meanwhile in an undisclosed location, a psychiatrist is trying to prove the innocence of a man accused of murder in an eleventh hour trial. How these two through-lines are related can only be found in Identity.

Violet, Klaus and Sunny Baudelaire are three intelligent young children who receive terrible news that their parents have died in a fire and have left them an enormous fortune not to be used until the eldest child is of age. When they are sent to live with Count Olaf, a greedy distant relative, they soon learn he is trying to steal their fortune for himself.

Set in Chicago, ‘Boogeyman’ tells the haunting tale of a young man traumatized by memories of terrible events he experienced in his childhood bedroom and who, years later, reluctantly returns home to face his fears of a monstrous entity that could be real or merely a figment of his imagination.