Nick Carraway, a young Midwesterner now living on Long Island, finds himself fascinated by the mysterious past and lavish lifestyle of his neighbor, the nouveau riche Jay Gatsby. He is drawn into Gatsby’s circle, becoming a witness to obsession and tragedy.

When the King of Far, Far Away ‘croaks’, it is up to Shrek, Donkey and Puss in Boots go off to bring back the next heir to the throne, Artie. Whilst Shrek and his crew are gone, Prince Charming brings together all evil fairy tale creatures in an attempt to take over as the new king.

Set in 1959, Diner shows how five young men resist their adulthood and seek refuge in their beloved Diner. The mundane, childish, and titillating details of their lives are shared. But the golden moments pass, and the men shoulder their responsibilities, leaving the Diner behind.

Nick “The Zone” Falzone is an air traffic controller at New York TRACON, where it’s busy 24 hours a day. He’s acknowledged as the best, until a quiet guy Russell Bell arrives on the scene from the Southwest somewhere. Russell and his wife Mary don’t quite fit into the close-knit community of controllers and their wives, and a rivalry soon builds.

It’s been six years since the Rollins family just up and left and now the troubled Solomon family has come from Chicago, to rebuild their lives following their sons hospitalization due to their daughter’s drunk driving accident. But as they start to settle in something odd and strange begins to occur to their son. Could something supernatural be at work, and did the previous family just leave…or are they still here? Trapped in the only place they’ve ever known? And what did cause their deaths? Most of all…is this ‘killer’ still very much alive?

Linus and Davis Larrabee are the two sons of a very wealthy family. Linus is all work — busily running the family corporate empire, he has no time for a wife and family. David is all play — technically he is employed by the family business, but never shows up for work, spends all his time entertaining, and has been married and divorced three times. Meanwhile, Sabrina Fairchild is the young, shy, and awkward daughter of the household chauffeur, who has been infatuated with David all her life, but David hardly notices her — “doesn’t even know I exist” — until she goes away to Paris for two years, and returns an elegant, sophisticated, beautiful woman. Suddenly, she finds that she has captured David’s attention, but just as she does so, she finds herself falling in love with Linus, and she finds that Linus is also falling in love with her.

The beautiful Marnie Edgar is a first-class bookkeeper and the apple of her employers’ eyes. She happens also to be a compulsive thief who has taken her last employer, Sidney Strutt, to the cleaners before disappearing into thin air. But with Mark Rutland she attempts robbery once too often. He forces her to marry him, and out of love for her uncovers the mysteries of her past that contribute to her penchant for taking other people’s money.

The fifth Tennessee Williams play to reach the screen, wealthy Mississippi plantation owner Big Daddy Pollitt, unaware that he’s dying of cancer and disturbed by the strained and childless marriage of his favored alcoholic son Brick and his other son, Gooper, whose wife is about to bring forth another in the endless line of little “no-neck monsters,” celebrates his sixty-fifth birthday with his family. Brick’s wife, Maggie, beautiful and desirable, tries unsuccessfully to coax her husband away from the bottle, while alternately enticing him and taunting him about his obsession with his deceased best friend and the guilt about their relationship. The seamy tensions reach a climax when the truth of Big Daddy’s health is revealed, and he and Brick manage to resolve their differences.

In a far away, long ago kingdom, Cinderella is living happily with her mother and father until her mother dies. Cinderella’s father remarries a cold, cruel woman who has two daughters, Drizella and Anastasia. When the father dies, Cinderella’s wicked stepmother turns her into a virtual servant in her own house. Meanwhile, across town in the castle, the King determines that his son the Prince should find a suitable bride and provide him with a required number of grandchildren. So the King invites every eligible maiden in the kingdom to a fancy dress ball, where his son will be able to choose his bride. Cinderella has no suitable party dress for a ball, but her friends the mice, lead by Jaques and Gus, and the birds lend a hand in making her one, a dress the evil stepsisters immediately tear apart on the evening of the ball. At this point, enter the Fairy Godmother, the pumpkin carriage, the royal ball, the stroke of midnight, the glass slipper, and the rest, as they say, is fairy tale history.

Mamie Toll (Lisa Kudrow) is an abortion clinic counselor with a massage therapist lover, Javier (Bobby Cannavale), and a secret: when she was younger, she and her gay stepbrother, Charley Peppitone (Steve Coogan), had a child she gave up for adoption. One day, Nicky Kunitz (Jesse Bradford), a sleazy filmmaker, shows up and plans to blackmail her with information on her child’s whereabouts so that he can film the reunion and use it to get into the AFI. Charley now runs his father’s restaurant with his lover, Gil (David Sutcliffe), and suspects that their lesbian friends, Pam (Laura Dern) and Diane (Sarah Clarke), lied about using Gil’s sperm to create a child so that they wouldn’t have to share him with them. Jude (Maggie Gyllenhaal) has been kicked out of her cousin’s house and is now living with the latent Otis (Jason Ritter), who lives with his widower father, Frank McKee (Tom Arnold), who has become infatuated with Jude. What Jude didn’t count on was actually falling in love with Frank. In the end, will anyone have a happy ending?