After breaking up with his girlfriend Annie Hall, neurotic comedian Alvy Singer goes on a stream of conciousness journey through his memories of their relationship, trying to find out what caused them to part ways. He often breaks the fourth wall, speaking to the camera, entering peoples’ stories, and even using animation.

He’s the star of the show—but he doesn’t know. Truman Burbank is a man whose life is a nonstop TV show. Truman doesn’t realize that his quaint hometown is a giant studio set run by a visionary producer/director/creator, that folks living and working there are Hollywood actors, that even his incessantly bubbly wife is a contract player. Gradually, Truman gets wise. And what he does about his discovery will have you laughing, crying and cheering.

“Schindler’s List” is the based-on-truth story of Nazi Czech business man Oskar Schindler, who uses Jewish labor to start a factory in occupied Poland. As World War II progresses, and the fate of the Jews becomes more and more clear, Schindler’s motivations switch from profit to human sympathy and he is able to save over 1100 Jews from death in the gas chambers.

When folk icon Irving Steinbloom passed away, he left behind a legacy of music and a family of performers he has shepherded to folk stardom. To celebrate a life spent submerged in folk, Irving’s loving son Jonathan has decided to put together a memorial concert featuring some of Steinbloom’s best-loved musicians. There’s Mitch and Mickey, who were the epitome of young love until their partnership was torn apart by heartbreak; classic troubadours The Folksmen, whose records were endlessly entertaining for anyone able to punch a hole in the center to play them; and The New Main Street Singers, the most meticulously color-coordinated neuftet ever to hit an amusement park. Now for one night only in New York City’s Town Hall, these three groups will reunite and gather together to celebrate the music that almost made them famous.

Iowa farmer Ray Kinsella hears a voice in his corn field tell him, “If you build it, he will come.” He interprets this message as an instruction to build a baseball field on his farm, upon which appear the ghosts of Shoeless Joe Jackson and the other seven Chicago White Sox players banned from the game for throwing the 1919 World Series. When the voices continue, Ray seeks out a reclusive author to help him understand the meaning of the messages and the purpose for his field.

The nature of temptation. Banks is a hit man, the best, usually working for Latin American drug cartels. He picks up solitary women, uses them briefly for a job, then kills them. He’s in the Southwest, headed toward Mexico, when he picks up Bennie, a woman leaving an abusive marriage, going to Paradise, Arizona. The film follows three tracks: Banks’s slow recruitment of Bennie, the set-up for the hit at a swank resort in Mexico, and the FBI’s close pursuit of Banks, whom they want alive in hopes he’ll rat out his bosses. Bennie may not be who she seems, and there may be a chink in Banks’s tough-guy armor. Guns, money, and a chance at Paradise…

Bob Munro is the dad of a dysfunctional family. He hires an RV to take the family on vacation. However Bob is NOT the best RV steering wheel operator in the neighborhood and the hilarity is added on by the fact that the brakes are about as useful as a chocolate fireguard. Bob first realizes it when the RV rolls (not literally) backwards into a line of shopping carts. Also Bob’s job is in danger if he doesn’t go to a very important meeting. Before you can say “COME BACK! COME BACK!,” things go gloriously, hilariously, Munro-annoyingly wrong due to the lack of brakes, Bob’s job, toilet waste not cleared out from the last rental and more hilarious stuff.

A moving and tender depiction of the novelist Iris Murdoch’s descent into Alzheimer’s Disease, covering the period from just before her marriage to intellectual John Bayley until her death. The film is based on the two books by John Bayley (Iris, Iris & The Friends).

An abused woman (Lopez) discovers that the dream man (Campbell) she married isn’t who she thought he was. She and her daughter try to escape (aided by her previous boyfriend, played by Futterman), but he pursues her relentlessly. Fearing also for the safety of her daughter, she decides that there’s only one way out of the marriage: kill him. ‘Fred Ward (I)’ (qv) has a guest-starring role.

Miles Raymond, a failed writer and divorcé who teaches junior high school English takes his best friend, former hot actor Jack, on a weeklong drive up to California’s wine country. There they explore the nature of their failures and question their relationships. Jack, about to get married, has an affair with a woman and wonders whether he should call off his wedding. Miles questions whether or not he made the right choice while trying to form a relationship with the woman’s best friend, a fellow oenophile who is a waitress at a restaurant that he frequents often when visiting that part of the country.