Blatty’s novelization of a real case of possession that happened in a Washington Suburb (Mt. Ranier, MD) puts Regan, an adolescent girl, Living with her mother in Georgetown in Washington, into a more and more difficult situation. She exhibits strange symptoms, including levitation and great strength. When all medical possibilities are exhausted, her mother is sent to a priest who is also a psychiatrist. He becomes convinced that Regan is possessed and he and a second priest experienced in exorcism try to drive the spirit from Regan before she dies. Very graphic for its time.

McMurphy thinks he can get out of doing work while in prison by pretending to be mad. His plan backfires when he is sent to a mental asylum. He tries to liven the place up a bit by playing card games and basketball with his fellow inmates, but the head nurse is after him at every turn.

The film concerns three women each suffering from depression. Virginia Woolf (Nicole Kidman) is starting to write her book ‘Mrs. Dalloway’ in 1923 England. She is coming to the realization of her lesbianism and fighting her pure despair of life and headaches. Virginia receives a visit from her sister Vanessa and Vanessa’s two sons and daughter. The daughter places a strong influence on Virginia’s emotions through the death of a bird. Eventually, Virgnia must face the decision to run away to London, stay with her beloved husband, or move to London where the doctors forbid her to go. Laura Brown (Julianne Moore), is a mother fearing her ability to be a mother again. She is reading ‘Mrs. Dalloway’ in 1951 Los Angeles. Laura is trying to throw a wonderful birthday party for her husband. The very pregnant Laura thinks she won’t be an adequate mother to her daughter and current baby on the way in a few months. Laura must make the decision to run away from it all or live miserably with her happy husband. Clarissa Vaughan (Meryl Streep) is a career publisher living in present 2001 New York. Her nickname, given by her poet-friend, Richard, who is dying of AIDS, is Mrs. Dalloway. Clarissa is also throwing a party but for Richard who is receiving an award for his poetry. Like Virginia Woolf, Clarissa is also a lesbian but also wonders if she is in love with Richard with whom she once dated. At the end, the whole plot twists and comes together. The basic theme of the film is wondering if it is better to live your life for your own happiness or others.

An Innuit hunter races his sled home with a fresh-caught halibut. This fish pervades the entire film, in real and imaginary form. Meanwhile, Axel tags fish in New York as a naturalist’s gofer. He’s happy there, but a messenger arrives to bring him to Arizona for his uncle’s wedding. It’s a ruse to get Axel into the family business. In Arizona, Axel meets two odd women: vivacious, needy, and plagued by neuroses and familial discord. He gets romantically involved with one, while the other, rich but depressed, plays accordion tunes to a gaggle of pet turtles.

The mafia’s Paul Vitti (De Niro) is back in prison and will need some serious counseling when he gets out. Naturally, he returns to his analyst Dr. Ben Sobel (Crystal) for help and finds that Sobel needs some serious help himself as he has inherited the family practice, as well as an excess stock of stress.

Miles Raymond, a failed writer and divorcé who teaches junior high school English takes his best friend, former hot actor Jack, on a weeklong drive up to California’s wine country. There they explore the nature of their failures and question their relationships. Jack, about to get married, has an affair with a woman and wonders whether he should call off his wedding. Miles questions whether or not he made the right choice while trying to form a relationship with the woman’s best friend, a fellow oenophile who is a waitress at a restaurant that he frequents often when visiting that part of the country.

In this modern retelling of a classic urban legend, a mother finds herself at odds with a unremitting flight crew and her own sanity when her daughter vanishes in the middle of a flight, with only a few clues left behind. She must now challenge the boundaries of her will and her mind in her desperate search.

Four horror/science-fiction segments directed by four of Hollywood’s famous directors based on TV’s most popular anthology series, bookened by a funny and scary prologue and epilogue featuring Dan Aykroyd and Albert Brooks. In the first story directed by John Landis (a vague remake of the Twilight Zone episode “A Quality of Mercy”) a loud-mouthed bigotted businessman (Vic Morrow) with an intense hatred for Jews, blacks, and Asians, gets the tables turned on him when he walks out a bar and is inexplicably transported back in time to being pursued by Nazis in 1940’s France, then as an African-American at a KKK rally in the 1950s Deep South, and as a Vietnamese in 1960s Vietnam. The second story directed by Stephen Spielberg (a remake of ‘Kick the Can’) an old man (Scatman Crothers) arrives at a retirement home and makes the wishes of the residents come true when he magically transforms them into youthful incarnations of their days gone by. The third story directed by Joe Dante (a remake of ‘It’s a Good Life’) a young woman on the road (Kathleen Quinlan) gives a ride to a mysterous 10-year-old boy (Jeremy Licth) to his house and ends up trapped with other people in an alternate reality created by the boy’s imagination. The fourth story directed by George Miller (a remake of ‘Nightmare at 20,000 Feet) stars John Lithgow as an passenger on an airline whom sees, but cannot convince anyone, a mysterious creature on the outside wing of the airplane trying to sabotage the aircraft.

Novelist Paul Sheldon crashes his car on a snowy Colorado road. He is found by Annie Wilkes, the “number one fan” of Paul’s heroine Misery Chastaine. Annie is also somewhat unstable, and Paul finds himself crippled, drugged and at her mercy.

It’s been nearly ten years since Freddy Krueger (Englund) terrorised people in the dreams, and the towns folk want to keep him erased from their memory. Freddy still has one more plan on getting back to Elm Street. He resurrects Jason Vorhees (Kirzinger) and sends him off to kill. The more bodies which fall to the ground, the stronger in which Freddy becomes. This is until, Freddy realises that Jason isn’t going to step aside easily, and must be taken down himself.