Financial “Master of the Universe” Sherman McCoy sees his life unravel when his mistress Maria Ruskin hits a black boy with his car. When yellow journalist Peter Fallow enflames public opinion with a series of distorted tabloid articles on the accident, the case is seized upon by opportunists like Reverend Bacon and mayoral candidate D.A. Abe Weiss.

A young man has dropped out of Queens College but desperately wants to please his father, a federal judge who’s harsh with his son. At his father’s insistence, Seth Davis closes a casino he operates in his own house, mostly for college students. Thinking he’ll please dad, he takes a job in a small brokerage house, an hour from Manhattan, where trainees make cold calls to lists of well-paid men, and then apply high-pressure tactics to sell initial public offerings exclusive to the firm. He’s terrific at sales. Once training is over, the pay is phenomenal, and Seth wonders why. Curiosity leads him to ethical dilemmas, encounters with the Feds, and new territory with his father.

Made of Honor revolves around Tom and Hannah, who have been platonic friends for 10 years. He’s a serial dater, while she wants marriage but hasn’t found Mr. Right. Just as Tom is starting to think that he is relationship material after all, Hannah gets engaged. When she asks Tom to be her “maid” of honor, he reluctantly agrees just so he can attempt to stop the wedding and woo her.

Based upon a real-life story that happened in the early seventies in which the Chase Manhattan Bank in Flatbush, Brooklyn, was held siege by a gay bank robber determined to steal enough money for his male lover to undergo a sex change operation. On a hot summer afternoon, the First Savings Bank of Brooklyn is held up by Sonny and Sal, two down-and-out characters. Although the bank manager and female tellers agree not to interfere with the robbery, Sonny finds that there’s actually nothing much to steal, as most of the cash has been picked up for the day. Sonny then gets an unexpected phone call from Police Captain Moretti, who tells him the place is surrounded by the city’s entire police force. Having few options under the circumstances, Sonny nervously bargains with Moretti, demanding safe escort to the airport and a plane out of the country in return for the bank employees’ safety.

48 hours in the life of a burnt-out paramedic. Once called Father Frank for his efforts to rescue lives, Frank sees the ghosts of those he failed to save around every turn. He has tried everything he can to get fired, calling in sick, delaying taking calls where he might have to face one more victim he couldn’t help, yet cannot quit the job on his own.

Tony is an uneducated Brooklyn teenager. The highlight of his week is going to the local disco, where he is the king of the dancefloor. Tony meets Stephanie at the disco and they agree to dance together in a competition. Stephanie resists Tony’s attempts to romance her, as she aspires to greater things; she is moving across the river to Manhattan. Gradually, Tony also becomes disillusioned with the life he is leading and he and Stephanie decide to help one another to start afresh.

A martial artist hunts a killer in a plague-infested urban dump of the future. He is the protective escort for a half-human, half-cyborg woman whose programming contains a possible cure for a plague that’s threatening to wipe out the entire population of Earth. But a woman is kidnapped by the martial artist’s evil nemesis while they are en route to her Atlanta headquarters. That leads him right into a lion’s den of sadomasochistic torture and torment.

Al Lewis and Willy Clark were once a popular vaudeville comedy team called Lewis and Clark, also known as The Sunshine Boys. After forty-three years as a team, they parted company over eleven years prior on not too friendly terms as Willy wanted to continue his career whereas Al wanted to retire. They have not spoken since. Willy’s nephew, Ben - a talent agent - has been trying to find acting jobs for his uncle since with little success as Willy’s age and declining ability is showing. But a lucrative opportunity comes up when one of the major networks is producing and airing a special on the history of comedy, and want The Sunshine Boys to appear. Ben has to try and convince the comedy team to reunite for just this one gig. Ben has to try and manage the individual quirks and personalities of each of The Sunshine Boys while putting on a good face to the network that there is harmony within The Sunshine Boys comedy team. Ben also has to manage the lives of two men in the twilight of their lives.

In this update of Disney’s masterpiece film mixture of animation and music, new interpretations of great works of music are presented. It begins with an abstract battle of light and darkness set to the music of Beethoveen’s Fifth Symphony. Then we see the adventures of a Humpback Whale calf and his pod set to “The Pines of Rome.” Next is the humourous story of several lives in 1930’s New York City, scored with “Rhapsody in Blue.” Following is a musical telling of the fairy tale, “The Steadfast Tin Soldier” set to Dmitri Shostakovich’s Piano Concerto No. 2. Then a goofy Flamingo causes havoc in his flock with his yo-yo to the tune of the finale of “Carnival of the Animals.” This is followed by the classic sequence from the original film, “The Sorcerer’s Apprentice” starring Mickey Mouse and followed by “Pomp and Circumstance” starring Donald Duck as a harried assistant to Noah on his Ark. Finally, we see the awesome tale of the life, death and renewal of a forest in a sequence featuring the composition, “The Firebird.”

Heralded as one of the all-time great theatrical releases, “12 Angry Men” focuses on a jury’s deliberations in a capital murder case. A 12-man jury is sent to begin deliberations in the first-degree murder trial of an 18-year-old Latino accused in the stabbing death of his father, where a guilty verdict means an automatic death sentence. The case appears to be open-and-shut: The defendant has a weak alibi; a knife he claimed to have lost is found at the murder scene; and several witnesses either heard screaming, saw the killing or the boy fleeing the scene. Eleven of the jurors immediately vote guilty; only Juror No. 8 (Mr. Davis, played by Henry Fonda) casts a not guilty vote. At first Mr. Davis’ bases his vote moreso for the sake of discussion after all, the jurors must believe beyond a reasonable doubt that the defendant is guilty. As the deliberations unfold, the story quickly becomes a study of the jurors’ complex personalities (which range from wise, bright and empathetic to arrogant, prejudiced and merciless), preconceptions, backgrounds and interactions. That provides the backdrop to Mr. Davis’ attempts in convincing the other jurors that a “not guilty” verdict might be appropriate.