A fateful event leads to a job in the film business for top mixed-martial arts instructor Mike Terry. Though he refuses to participate in prize bouts, circumstances conspire to force him to consider entering such a competition.

Some guys get all the luck, whether they like it or not. Chili Palmer (John Travolta) happens to be in Hollywood collecting a gambling debt when he’s struck by lightning (not literally). Called a natural for the movie business, he’s snagged up by a producer. The rest is history.

Hollywood send-up. No-name actors are making a low-budget period drama called “Home for Purim,” when an anonymous post on the Internet suggests that one performance is Oscar-worthy. Then, two more cast members get Oscar-related press: buzz in “Variety” and appearances on TV prompt the studio executives to insist on changes in the script in anticipation of a blockbuster. Jump ahead a few months to the days before Oscar nominees are announced: just the possibility of a nomination has changed the actors’ lives. Agents, publicists, make-up artists, local celebrity reporters, and other bit players round out the backstage ensemble. Hooray for Hollywood!

Cynthia, TV producer, has an idea about how to save the station: A normal person’s life should be broadcasted 24 hours a day. “Ed TV” is born the second her eye falls on Ed Pekurny, a sympathetic Joe Sixpack. After the first week on air Eds fame grows and grows, but conflicts break open: His brother Ray publishes a very negative book about Ed, who now dates Ray’s ex; Ed’s parent’s partnership problematics are broadcasted nationwide and a very attractive and seducing model uses innocent Ed to raise her own fame. Also, Ed’s contract proves to be unquittable, so that Ed Pekurny suddenly can see the golden bars around his cage. But in a country that switches the TV set on for breakfast and off for bedtime, nearly everything can happen - and people can be counted on.

While in the burial of Countess Torlato-Favrini, her friend Harry Dawes and her acquaintance Oscar Muldoon recalls parts of her past. When the wealthy Kirk Edwards hires director and screenplay writer Harry Dawes, they travel to Spain with the public relations Oscar Muldoon to see the dancer of a nightclub Maria Vargas and invite her for an audition, since they need a new face for their next movie. Maria, a naive woman with simple origins, is convinced by Harry to go to Hollywood and becomes a famous star and a close friend of Harry and his girlfriend Jerry. Along her successful career, Maria lives personal dramas including lack of adaptation for her new lifestyle, is unable to love and is disputed by the powerful millionaires Kirk Edwards and Alberto Bravano. When she meets the noble and handsome Count Vincenzo Torlato-Favrini in the French Riviera, she believes that she found her prince charming and her life becomes a fairy tale. But after the wedding, she sees that her Cinderella’s castle of dreams has become a pumpkin.

Out in California’s San Fernando Valley, Isabel is trying to reinvent herself. A naïve, good-natured witch, she is determined to disavow her supernatural powers and lead a normal life. At the same time, across town, Jack Wyatt a tall, charming actor is trying to get his career back on track. He sets his sights on an updated version of the beloved 1960s situation comedy Bewitched, re-conceived as a starring vehicle for himself in the role of the mere-mortal Darrin. Fate steps in when Jack accidentally runs into Isabel. He is immediately attracted to her and her nose, which bears an uncanny resemblance to the nose of Elizabeth Montgomery, who played Samantha in the original TV version of Bewitched. He becomes convinced she could play the witch Samantha in his new series. Isabel is also taken with Jack, seeing him as the quintessential mortal man with whom she can settle down and lead the normal life she so desires. It turns out they’re both right—but in ways neither of them ever imagined.