Imogen and Al meet at college in New York City when she’s a frosh and he’s a sophomore. She’s a talented artist; he wants to be a chef, following in his father’s footsteps. They fall in love, she picks a song for them, they make love. But she fears losing her youth, committing too soon, having a child before she’s ready. He’s worried that this may be an illusion, not true love. She sleeps with someone else; he’s hurt; the relationship ruptures. She leaves for San Francisco; he goes into an alcohol-assisted depression. He even drinks her shampoo, hoping to cure his obsession. Can anything help him recover?

Retired FBI agent Will Graham (William L. Petersen) returns to action to hunt down a serial killer by using his ability to get inside the psychopath’s mind. However, it was this ability that drove him into retirement in the first place. The process of tracking and capturing the infamous Hannibal Lecter (Brian Cox) took a tremendous psychic toll on Graham, causing him to spent time in a mental hospital. With another madman on the loose, Graham has no choice but to return to duty, though he knows that it might cost him his family and his sanity.

To get the old mind-set back, Graham visits Hannibal Lecter in his high-security jail cell. However, the manipulative Lecter plays both sides and warns the new killer that Graham is on his trail, telling him to destroy Graham’s family to protect himself. In order to save his own family, Graham must risk everything to once again enter into the mind of the criminally insane.

With MANHUNTER, Mann raises the bar for serial killer films, imbuing his killer with an almost sympathetic quality while keeping him extremely menacing and clearly dangerous. Based on the Thomas Harris novel RED DRAGON, which serves as the prequel to THE SILENCE OF THE LAMBS, MANHUNTER is a masterpiece of gripping storytelling and psychological horror.

Young FBI agent Clarice Starling is assigned to help find a missing woman to save her from a psychopathic serial killer who skins his victims. Clarice attempts to gain a better insight into the twisted mind of the killer by talking to another psychopath Hannibal Lecter, who used to be a respected psychiatrist. FBI agent Jack Crawford believes that Lecter who is also a very powerful and clever mind manipulator have the answers to their questions to help locate the killer. Clarice must first try and gain Lecter’s confidence before he is to give away any information.

Harvey Pekar is file clerk at the local VA hospital. His interactions with his co-workers offer some relief from the monotony, and their discussions encompass everything from music to the decline of American culture to new flavors of jellybeans and life itself. At home, Harvey fills his days with reading, writing and listening to jazz. His apartment is filled with thousands of books and LPs, and he regularly scours Cleveland’s thrift stores and garage sales for more, savoring the rare joy of a 25-cent find. It is at one of these junk sales that Harvey meets Robert Crumb, a greeting card artist and music enthusiast. When, years later, Crumb finds international success for his underground comics, the idea that comic books can be a valid art form for adults inspires Harvey to write his own brand of comic book. An admirer of naturalist writers like Theodore Dreiser, Harvey makes his American Splendor a truthful, unsentimental record of his working-class life, a warts-and-all self portrait. First published in 1976, the comic earns Harvey cult fame throughout the 1980s and eventually leads him to the sardonic Joyce Barber, a partner in a Delaware comic book store who end ups being Harvey’s true soul mate as they experience the bizarre byproducts of Harvey’s cult celebrity stature.

Barr is a psychiatrist who falls in love with the sister of one of his clients. She’s beautiful and married (to a gangster). She hates her husband but is unable to escape from him. To avoid spoilers, someone dies, but who did what and why ?

McMurphy, a man with several assault convictions to his name, finds himself in jail once again. This time, the charge is statutory rape when it turns out that his girlfriend had lied about being eighteen, and was, in fact, fifteen (or, as McMurphy puts it, “fifteen going on thirty-five”). Rather than spend his time in jail, he convinces the guards that he’s crazy enough to need psychiatric care and is sent to a hospital. He fits in frighteningly well, and his different point of view actually begins to cause some of the patients to progress. Nurse Ratched becomes his personal cross to bear as his resistance to the hospital routine gets on her nerves.