Mickey Rourke plays Henry Chinaski, a poet and alcoholic. He spends his life in bars in Los Angeles, drinking every night. One day he meets Wanda, also a alcoholic and falls in love with her. Wanda is not like his former girlfriends, one is still able to see the beauty she once was before she started to drink. Together they meet Tully Sorenson, who wants to publish some of Henry’s poems. For a short time he becomes famous but in the end it is clear that Henry and Wanda have only one goal in life: drinking to forget the lousy life they live outside the bars of Los Angeles.

The film concerns three women each suffering from depression. Virginia Woolf (Nicole Kidman) is starting to write her book ‘Mrs. Dalloway’ in 1923 England. She is coming to the realization of her lesbianism and fighting her pure despair of life and headaches. Virginia receives a visit from her sister Vanessa and Vanessa’s two sons and daughter. The daughter places a strong influence on Virginia’s emotions through the death of a bird. Eventually, Virgnia must face the decision to run away to London, stay with her beloved husband, or move to London where the doctors forbid her to go. Laura Brown (Julianne Moore), is a mother fearing her ability to be a mother again. She is reading ‘Mrs. Dalloway’ in 1951 Los Angeles. Laura is trying to throw a wonderful birthday party for her husband. The very pregnant Laura thinks she won’t be an adequate mother to her daughter and current baby on the way in a few months. Laura must make the decision to run away from it all or live miserably with her happy husband. Clarissa Vaughan (Meryl Streep) is a career publisher living in present 2001 New York. Her nickname, given by her poet-friend, Richard, who is dying of AIDS, is Mrs. Dalloway. Clarissa is also throwing a party but for Richard who is receiving an award for his poetry. Like Virginia Woolf, Clarissa is also a lesbian but also wonders if she is in love with Richard with whom she once dated. At the end, the whole plot twists and comes together. The basic theme of the film is wondering if it is better to live your life for your own happiness or others.

Joey Drayton brings her fiancé, Dr. John Prentice, home to sunny San Francisco to meet her affluent parents. Their liberal persuasions are now put to the test, for although the young man is an ideal choice (he’s highly and internationally respected in the medical field, and he’s impeccably mannered, handsome, well dressed and of a respectable California family), he’s black. The film, which covers one busy day in the Drayton home, is essentially a drawing-room comedy, a series of cross-conversations between the young doctor and the girl’s parents, and finally between all sets of parents and offspring. A simple dinner is extended to include the doctor’s parents, who fly up from Los Angeles for the evening, and the crusty but benevolent old Irish priest, a friend of the family. Thus, the title of the film . . .

Gillian Holroyd is just your average, modern-day, witch, living in a New York apartment with her Siamese familiar, Pyewacket. But one day a handsome publisher, Shep Henderson walks into her building and Gillian decides she wants him—especially as it turns out he’s marrying Merle Kittridge, an old poison penpal from Gillian’s college days. So, Gillian casts a spell over Shep. But her powers are in danger of being exorcised by something stronger than the bell-book-and-candle routine: Love.

Considered by many to be the best film ever made, this is the story of Charles Foster Kane. The film opens with a long shot of Xanadu - the private estate of one of the world’s richest men. In the middle of the estate is a castle. We see, inside the castle, a dying man examining a winter scene within a crystal ball. As he drops it, it smashes, and one word is heard - “Rosebud…” What follows are pieces of newsreel-like footage detailing how Kane amassed his fortune, and turning around full circle at the end.

Elle France editor Jean-Dominique Bauby, who, in 1995 at the age of 43, suffered a stroke that paralyzed his entire body, except his left eye. Using that eye to blink out his memoir, Bauby eloquently described the aspects of his interior world, from the psychological torment of being trapped inside his body to his imagined stories from lands he’d only visited in his mind.

A writer of BAD detective novels is in full writers’ block. He pretends to be the alibi of a beautiful woman who was arrested for murder at first thinking her innocent, but as she shows more and more interesting abilities (such as knife throwing) he begins to doubt his first assessment. He is still falling for her, but more and more nervous as time passes, and there are more close calls with death on his part.

Joan Wilder is a mousey writer of romance novels. She finds a package from her sister mailed from Colombia in her mailbox. A call from her sister tells her that she has been kidnapped and that bringing the package to Colombia is necessary for her safety and release. Being fairly clueless, she leaves for Colombia to rescue her sister. She is lost within hours of her arrival. She is nearly murdered by one of the men searching for the package when Jack Colton, a fairly low life American rescues her. They begin a journey through the jungle with bullets flying nearby. Is Joan up to all of this? What a way to find out.

A science-fiction writer, recently widowed, considers whether to adopt a hyper-imaginative 6-year-old abandoned and socially rejected boy who says he’s really from Mars.

Brett, a young woman from the suburbs, is an associate editor at a small New York publishing house, hoping to be promoted when, on the same day, she meets a literary lion, Archie Knox, who’s 50 and who shows an interest in her, and gets a new boss, a dolly-dolly Brit. Brett is soon dating Archie, then moves in with him. He’s charming, attentive, and gives advice. He also has a history - ex-wives, a distant daughter, a couple of diseases, and a photo album of former girlfriends. It’s no fairy tale: family issues (and more) intervene, and Brett has decisions to make. Meanwhile, she’s working with a writer who fears peanut butter sticking to the roof of his mouth. Is Archie dinner, an hors d’oeuvre, or a peanut-butter sandwich?