The fifth Tennessee Williams play to reach the screen, wealthy Mississippi plantation owner Big Daddy Pollitt, unaware that he’s dying of cancer and disturbed by the strained and childless marriage of his favored alcoholic son Brick and his other son, Gooper, whose wife is about to bring forth another in the endless line of little “no-neck monsters,” celebrates his sixty-fifth birthday with his family. Brick’s wife, Maggie, beautiful and desirable, tries unsuccessfully to coax her husband away from the bottle, while alternately enticing him and taunting him about his obsession with his deceased best friend and the guilt about their relationship. The seamy tensions reach a climax when the truth of Big Daddy’s health is revealed, and he and Brick manage to resolve their differences.

The film concerns three women each suffering from depression. Virginia Woolf (Nicole Kidman) is starting to write her book ‘Mrs. Dalloway’ in 1923 England. She is coming to the realization of her lesbianism and fighting her pure despair of life and headaches. Virginia receives a visit from her sister Vanessa and Vanessa’s two sons and daughter. The daughter places a strong influence on Virginia’s emotions through the death of a bird. Eventually, Virgnia must face the decision to run away to London, stay with her beloved husband, or move to London where the doctors forbid her to go. Laura Brown (Julianne Moore), is a mother fearing her ability to be a mother again. She is reading ‘Mrs. Dalloway’ in 1951 Los Angeles. Laura is trying to throw a wonderful birthday party for her husband. The very pregnant Laura thinks she won’t be an adequate mother to her daughter and current baby on the way in a few months. Laura must make the decision to run away from it all or live miserably with her happy husband. Clarissa Vaughan (Meryl Streep) is a career publisher living in present 2001 New York. Her nickname, given by her poet-friend, Richard, who is dying of AIDS, is Mrs. Dalloway. Clarissa is also throwing a party but for Richard who is receiving an award for his poetry. Like Virginia Woolf, Clarissa is also a lesbian but also wonders if she is in love with Richard with whom she once dated. At the end, the whole plot twists and comes together. The basic theme of the film is wondering if it is better to live your life for your own happiness or others.

Retired Texas Rangers Gus McRae and Woodrow Call are content to live out their remaining years in the tiny Texas town of Lonesome Dove. Then their old friend Jake comes to town, and tells them about the incredible oppurtunities for cattle ranching in Montana. Encouraged by this, Call convinces Gus and many other townspeople to go on a perilous cattle drive to Montana. Gus has another agenda though: his former sweetheart now lives in Nebraska, and he hopes for a second chance with her. As the drive goes on it takes on an epic scale, ultimately becoming what could well be called the central event in the lives of all involved.

This film follows the life of Celie, a young black girl growing up in the early 1900’s. The first time we see Celie, she is 14 - and pregnant - by her father. We stay with her for the next 30 years of her tough life…

Scarlett is a woman who can deal with a nation at war, Atlanta burning, the Union Army carrying off everything from her beloved Tara, the carpetbaggers who arrive after the war. Scarlett is beautiful. She has vitality. But Ashley, the man she has wanted for so long, is going to marry his placid cousin, Melanie. Mammy warns Scarlett to behave herself at the party at Twelve Oaks. There is a new man there that day, the day the Civil War begins. Rhett Butler. Scarlett does not know he is in the room when she pleads with Ashley to choose her instead of Melanie.

The Waterfront Crime Commission is about to hold public hearings on union crime and underworld infiltration. As workers are turned against each other, Terry Malloy inadvertently participates in the murder of fellow longshoreman Joey Doyle. Union boss Johnny Friendly orchestrates the murder along with other illegal dockside activities, aided by Terry’s brother Charley. Terry begins to feel pangs of conscience. When Joey’s sister Edie sees more in Terry than he sees in himself and Father Barry urges him on, Terry reassesses his past and begins to regain responsibility for his actions.

Society scion Newland Archer is engaged to May Welland, but his well-ordered life is upset when he meets May’s unconventional cousin, the Countess Olenska. At first, Newland becomes a defender of the Countess, whose separation from her abusive husband makes her a social outcast in the restrictive high society of late-19th Century New York, but he finds in her a companion spirit and they fall in love.

The morning of a small town Labor Day picnic, a drifter (Hal Carter) blows into town to visit an old fraternity buddy (Alan Benson) who also happens to be the son of the richest man in town. Hal is an egocentric braggart - all potential and no accomplishment. He meets up with Madge Owens, the town beauty queen and girlfriend of Alan Benson.

Old sailor Chris Christofferson eagerly awaits the arrival of his grown daughter Anna, whom he sent at five years old to live with relatives in Minnesota. He has not seen her since, but believes her to be a decent and respectably employed young woman. When Anna arrives, however, it is clear that she has lived a hard life in the dregs of society, and that much of spirit has been extinguished. She falls in love with a young sailor rescued at sea by her father, but dreads to reveal to him the truth of her past. Both father and young man are deluded about her background, yet Anna cannot quite bring herself to allow them to remain deluded.

The young, handsome, but somewhat wild Eugene Morgan wants to marry Isabel Amberson, daughter of a rich upper-class family, but she instead marries dull and steady Wilbur Minafer. Their only child, George, grows up a spoiled brat. Years later, Eugene comes back, now a mature widower and a successful automobile maker. After Wilbur dies, Eugene again asks Isabel to marry him, and she is receptive. But George resents the attentions paid to his mother, and he and his whacko aunt Fanny manage to sabotage the romance. A series of disasters befall the Ambersons and George, and he gets his come-uppance in the end.