Gangster Sonny is the big man in Calogero’s Bronx neighborhood. A shooting witnessed by Calogero is the starting point of a lasting bond between the gangster and the small boy. Father (bus driver Lorenzo), however, disap- proves. Calogero grows up under the wings of both men, torn between his own natural honesty and his fascination with Sonny. C’s neighborhood cronies get involved in theft, use of guns, racial fights. When C meets girl, things don’t become easier. C’s leap to manhood is marked by tragedy, but also by his recognition of the many faces of love.

GULLIVER and TATE - nickname ‘Treacle’ - are two ordinary 18 year-olds serving in the British Army in Iraq. Their platoon is struggling to maintain the uneasy peace of 2003. When their popular company captain, GODBER, is killed on patrol by a roadside bomb, morale in the platoon hits rock bottom. Acting on orders they round up several suspects from house-to-house searches. That night feelings at the camp are running high and as the chain of command is weakened and events spiral out of control. The lads end their tour of duty and return to England full of stories but also shaken by their experiences. Iraq comes back to haunt them when Gulliver’s jilted girlfriend, Shelley, decides to get her own back on him by giving photos of the events in Iraq to the British police. The story hits the press, and Gulliver and Treacle, now the most reviled men in Britain, face court martial. The army claims the two are ‘rotten apples’ acting alone. Guilt-ridden and abandoned, the pressure is too much for a traumatized Treacle. Gulliver, however, is determined to remain loyal to ‘his army’. Only when he is truly alone does he have to decide if he must keep his secrets or explosively have his day in court, and tell the truth about the events of that fateful night.

The story begins with a regular Joe who tries desperately to seek employment, but embarks on a violent rampage when he teams up with cult leader Uncle Dave. Their first act is to heist an amusement park, only to learn that the Taliban are planning the same heist as well. Chaos ensues, and now the Postal Dude must not only take on terrorists but political figures as well.

Sarah Bailey, a sixteen year old troubled teenager with a painful past and a history of suicidal tendencies and hallucinations, moves to L.A. with her father and stepmother to start a new life - and is enrolled into a Catholic school. It is at school that she comes into contact with three unlikely friends, Nancy, Bonnie and Rochelle, all who are socially outcast with various problems in their lives that they wish they could fix. Nancy, Bonnie and Rochelle dabble in occult practices, and when they notice Sarah has the powers of a natural witch, they talk her into joining their coven. When Sarah joins, they soon realize that with a fourth witch in the coven they can begin to cast spells they couldn’t before, and begin to amend all the things wrong in their lives - but like everything else in life - things come with a price.

A young man has dropped out of Queens College but desperately wants to please his father, a federal judge who’s harsh with his son. At his father’s insistence, Seth Davis closes a casino he operates in his own house, mostly for college students. Thinking he’ll please dad, he takes a job in a small brokerage house, an hour from Manhattan, where trainees make cold calls to lists of well-paid men, and then apply high-pressure tactics to sell initial public offerings exclusive to the firm. He’s terrific at sales. Once training is over, the pay is phenomenal, and Seth wonders why. Curiosity leads him to ethical dilemmas, encounters with the Feds, and new territory with his father.

Tony is an uneducated Brooklyn teenager. The highlight of his week is going to the local disco, where he is the king of the dancefloor. Tony meets Stephanie at the disco and they agree to dance together in a competition. Stephanie resists Tony’s attempts to romance her, as she aspires to greater things; she is moving across the river to Manhattan. Gradually, Tony also becomes disillusioned with the life he is leading and he and Stephanie decide to help one another to start afresh.

Bruce Lee’s shocking death left legions of stunned fans and a legacy of 12 minutes from his unfinished Game Of Death. Undeterred, studio executives launched a search for his replacement chronicled here through the eyes of five aspiring thespians who find out what the real game is.

Two twenty-something stoner roommates — one a Korean American investment banker; the other an Indian American medical school candidate — go through a life changing journey, as they spend a night roaming the state of New Jersey in search of White Castle hamburgers.

Nazi skinheads in Melbourne take out their anger on local Vietnamese, who are seen as threatening racial purity. Finally the Vietnamese have had enough and confront the skinheads in an all-out confrontation, sending the skinheads running. A woman who is prone to epileptic seizures joins the skins’ merry band, and helps them on their run from justice, but is her affliction also a sign of impurity?

Heralded as one of the all-time great theatrical releases, “12 Angry Men” focuses on a jury’s deliberations in a capital murder case. A 12-man jury is sent to begin deliberations in the first-degree murder trial of an 18-year-old Latino accused in the stabbing death of his father, where a guilty verdict means an automatic death sentence. The case appears to be open-and-shut: The defendant has a weak alibi; a knife he claimed to have lost is found at the murder scene; and several witnesses either heard screaming, saw the killing or the boy fleeing the scene. Eleven of the jurors immediately vote guilty; only Juror No. 8 (Mr. Davis, played by Henry Fonda) casts a not guilty vote. At first Mr. Davis’ bases his vote moreso for the sake of discussion after all, the jurors must believe beyond a reasonable doubt that the defendant is guilty. As the deliberations unfold, the story quickly becomes a study of the jurors’ complex personalities (which range from wise, bright and empathetic to arrogant, prejudiced and merciless), preconceptions, backgrounds and interactions. That provides the backdrop to Mr. Davis’ attempts in convincing the other jurors that a “not guilty” verdict might be appropriate.