When a CIA operation to purchase classified Russian documents is blown by a rival agent—who then shows up in the sleepy seaside village where Bourne (Damon) and Marie (Potente) have been living under assumed names—the pair collapse their lives and head out. Bourne, who promised retaliation should anyone from his former life attempt contact, is forced to once again take up his life as a trained assassin to survive.

Nicole broke up with Matt months ago and is now engaged to someone else. He’s very good-looking and has no trouble finding other lovers, but that doesn’t help because he’s still obsessed with wanting her back. Then he gets the inspiration that swearing off sex for Lent (all forms of sexual activity, even kissing or masturbation) will give him the perspective he needs. So of course a few days later he meets a woman and they fall in love. Now Matt sees his vow as a personal matter, and won’t even tell her about it, but his friends think otherwise, and now the complications begin…

Based very loosely on Robert Ludlum’s novel, the Bourne Identity is the story of a man whose wounded body is discovered by fisherman who nurse him back to health. He can remember nothing and begins to try to rebuild his memory based on clues such as the Swiss bank account, the number of which, is implanted in his hip. He soon realizes that he is being hunted and takes off with Marie on a search to find out who he is and why he is being hunted.

William Friedkin’s gritty police drama portrays two tough New York City cops trying to intercept a huge heroin shipment coming from France. An interesting contrast is established between ‘Popeye’ Doyle, a short-tempered alcoholic bigot who is nevertheless a hard-working and dedicated police officer, and his nemesis Alain Charnier, a suave and urbane gentleman who is nevertheless a criminal and one of the largest drug suppliers of pure heroin to North America. During the surveillance and eventual bust, Friedkin provides one of the most gripping and memorable car chase sequences ever filmed.