As the film opens on an Oklahoma farm during the depression, two simultaneous visitors literally hit the Wagoneer home: a ruinous dust storm and a convertible crazily driven by Red, the missus’ brother. A roguish country-western musician, he has just been invited to audition for the Grand Ole Opry, his chance of a lifetime to become a success. However, this is way back in Nashville, Red clearly drives terribly, and he’s broke and sick with tuberculosis to boot. Whit, 14, seeing his own chance of a lifetime to avoid “growing up to be a cotton picker all my life,” begs Ma to let him go with Uncle Red as driver and protege. Thus begins a picaresque journey both hilarious and poignant.

Devastated Peter takes a Hawaii vacation in order to deal with recent break-up with his TV star girlfriend, Sarah. Little does he know Sarah’s traveling to the same resort as her ex … and she’s bringing along her new boyfriend.

Everyone’s born with one special thing, and Eddie Adams uses his humongous “asset” to take the world of film pornography by storm. Things get ugly though when success leads to drugs and ruin. Will Dirk clean up and get back on top? Will Amber see her son? Will Rollergirl ever take off her skates?!

After a run-in with local thugs, aspiring Harlem rapper Rob (Omarion Grandberry) flees to a place and father (Giancarlo Esposito) he never knew, and finds his salvation in Reggaeton, a spicy blend of hip-hop, reggae and Latin beats. Puerto Rico, the spiritual home of Reggaeton, inspires Rob and his half-brother Javi (Victor Rasuk) to pursue their dream of becoming Reggaeton stars. Together with a dancer named C.C., they learn what it means to stay true to themselves and each other, while overcoming obstacles in love, greed and pride, all culminating in an explosive performance at New York?s Puerto Rican Day Parade.

Marti DeBergi is a film-maker who decides to make a documentary, a rockumentary actually, about the world’s loudest band, the British heavy metal group Spinal Tap. The movie is in fact a biting satire and spoof of the whole rock and roll scene that passes itself off as a real documentary of a real band. Hilarious behind-the-scenes footage is combined with faux-concert clips to breath life into the imaginary group.

Manhattan socialite, Ashley is the luckiest person in New York. Untill, one night she goes to a masquerade ball and meets, Jake. Jake on the other hand has the worst luck. After kissing Jake, Ashley is horrified to find out that she and Jake swapped luck.

Cheery Alex Fletcher lives comfortably in Manhattan off the residuals from his 80’s pop success and reprising his hits at school reunions, theme parks, and state fairs. But those gigs are declining, so he jumps at the chance to write a song and record it with reigning teen idol Cora Corman. Trouble is, he’s good at melodies but needs a lyricist and has less than a week to finish. Enter Sophie Fisher, subbing for a friend who waters Alex’s plants; she’s a pretty good poet, quick witted, and could do it, if she’d agree. But there’s some sort of shadow over her head that Alex may not be able to charm his way past. And what if they do get a song written, what then?

A comedy-drama about best friends - one a straight woman, Abbie (Madonna), the other a gay man, Robert (Rupert Everett) - who decide to have a child together. Five years later, Abbie falls in love with a straight man and wants to move away with her and Robert’s little boy Sam, and a nasty custody battle ensues.

When not solving murders in Tinseltown, Detective Joe Gavilan and his rookie partner Kasey Calden both moonlight in other fields: Gavilan sells real estate (poorly), and Calden aspires to become an actor (Brando, namely). Assigned to the vicious in-club slaying of a promising young rap act, the two detective delve into the recording industry where they hope to find answers - ideally ones that also come with property buyers or auditions.