Financial “Master of the Universe” Sherman McCoy sees his life unravel when his mistress Maria Ruskin hits a black boy with his car. When yellow journalist Peter Fallow enflames public opinion with a series of distorted tabloid articles on the accident, the case is seized upon by opportunists like Reverend Bacon and mayoral candidate D.A. Abe Weiss.

Helena, a 15-year-old girl in a family of circus entertainers, often wishes she could run off and join real life. After a fight with her parents about her future plans, her mother falls quite ill and Helena is convinced that it is all her fault. On the eve of her mother’s major surgery, she dreams that she is in a strange world with two opposing queens, bizarre creatures, and masked inhabitants. All is not well in this new world - the white queen has fallen ill and can only be restored by the MirrorMask, and it’s up to Helena to find it. But as her adventures continue, she begins to wonder whether she’s in a dream, or something far more sinister.

“The Machinist” is a film about a man who hasn’t slept in a year, and he starts thinking that he’s losing his mind, when he starts seeing hallucinations, and his perception of reality becomes twisted. He’s haunted by a co-worker that no one else can see, and keeps finding post-it notes with secret messages on his fridge…

Cult classic anthology from two of horrors big wigs, Romero and Stephen King, the film contains 5 sections, held together with 50’s style comic images. A murdered man returns from the grave demanding his Father’s Day cake and death ensues, a meteor’s space ooze causes anything and anyone that comes in contact with it to grow (special appearance by Stephen King himself), a scheming vengeful husband buries his wife and her lover in sand to await death at high tide, a professor selects his nagging negative wife to become a tasty snack for a strange crated creature, and finally, a mean ole millionaire with an intense insect phobia becomes the prey of an army of cockroaches.

Anton Jackson is an African-American man who seems harmless enough on the surface, but is a secret agent in the all-black Brotherhood, an entity that levels the playing field against the all-white establishment. Partnered with the sassy, stunning Sistah Girl, our hero must first undergo the ultimate attitude adjustment and trade in his ‘fro and platforms for tennis sweaters and penny loafers. Once the transformation is complete, he’s ready to take on the evil perpetrators of Operation Whitewash—Mr Feather, Penelope Snow aka White She Devil, and, ultimately, The Man.

An undercover narc dies, the investigation stalls, so the Detroit P.D. brings back Nick Tellis, fired 18-months ago when a stray bullet hits a pregnant woman. Tellis teams with Henry Oak, a friend of the dead narc and an aggressive cop constantly under the scrutiny of internal affairs. They follow leads, informants turn up dead, Nick’s wife is unhappy he’s back on the street, Henry’s protective of the dead cop’s wife. Nick reads and re-reads the case file, broods, watches Oak’s heavy-handed style, sometimes joining in. The brass want to close out the case, Nick and Henry stay on it, and bits of evidence point them to an auto body shop. What actually happened; will Nick ever know?

Set almost entirely in London, England during five frantic weeks before Christmas follows a web-like pattern of inter-related, loosely related and unrelated stories of a dozen or more various individuals with their love lives, or lack of them. The central character is the new bachelor prime minister David who cannot express his growing feelings for his new personal assistant Natalie. The prime minister’s older sister Karen slowly grows aware of her husband Harry’s flirtation with an office worker named Mia. Karen’s friend Daniel is a recently widowed writer whose 11-year-old son asks for love advice about a girl he has a crush on. Meanwhile, Jamie is another writer who leaves his girlfriend after catching her cheating on him and travels to France to write a novel where he pursues a possible romance with his non-English speaking Portuguese maid Aurelia. Also, Harry’s American secretary Sarah questions a romance she pursues with the office hunk Karl, but her personal family problems get in the way. Other secondary characters involve a photographer who pursues his best friend’s new wife Juliet; a pair of movie stand-ins, named John and Judy, who grow closer after their simulated love scenes; a libidinous chum who wants to travel to Wisconsin, USA to score with women; and a burned-out former rock star named Billy Mack who is the main connection between all stories involved.

Jimmy Tong (Chan) is just a lowly chauffeur for millionaire Clark Devlin (Isaacs), until Devlin has an accident that puts him in the hospital. Tong is sent back to fetch some things for Devlin and unknowingly tries on Devlin’s tuxedo and finds that it gives extraordinary powers to anyone that dons the suit. This discovery thrusts Tong into world of international intrigue and espionage and pairs him with an inexperienced partner (Hewitt).

Maggie Peyton (Lindsay Lohan), the first Peyton to graduate from college receives a graduation present from her dad (Michael Keaton) and as she’s about to get a 250Z, she instead receives a Volkswagon Bug (Herbie) and Herbie takes her for a ride. Herbie takes her to “Kevins Custom Car Shop” run by her best friend Kevin (Justin Long) where they take Herbie for a test drive and end up at a car show where Herbie beats all-time racer Trip Murphy (Matt Dillon)in an impromptu street race. Trip demands a rematch and attempts to discover the secret behind Herbie. But Magwheels’s biggest challenge isn’t the up and coming Daytona 500, It’s proving to her dad that she’s good enough to be the next great Peyton.

Ron Burgundy (Ferrell) is the top-rated anchorman in San Diego in the ’70s. When feminism marches into the newsroom in the form of ambitious newswoman Veronica Corningstone (Applegate), Ron is willing to play along at first-as long as Veronica stays in her place, covering cat fashion shows, cooking, and other “female” interests. But when Veronica refuses to settle for being eye candy and steps behind the news desk, it’s more than a battle between two perfectly coiffed anchor-persons… it’s war.