Set in the late 21st century, a subculture of humans have emerged who have been modified genetically by a vampire-like disease, giving them enhanced speed, incredible stamina and acute intelligence, and as they are set apart from “normal” and “healthy” humans, the world is pushed to the brink of worldwide civil war aimed at the destruction of the “diseased” population. In the middle of this crossed-fire is - an infected beautiful woman - Ultraviolet, who finds herself protecting a nine-year-old boy who has been marked for death by the human government as he is believed to be a threat to humans.

Policemen Bonaro and Madigan lose their guns to fugitive Barney Benesch. As compensation, the two NYC detectives are given a weekend to bring Benesch to justice. While Bonaro and Madigan follow up on various leads, Police Commissioner Russell goes about his duties, including attending functions, meeting with aggrieved relatives, and counseling the spouses of fallen officers.

A meditation on isolation and intersection in the big city - the layered story of three characters who find courage to move to the next stage of life through profound encounters with strangers they meet on their daily routes. Rose, an optometrist paralyzed by crushing grief after the death of her infant, has built a wall around herself, unable to relate to her estranged husband or anyone else. When an elderly patient, a painter losing his eyesight, begins to visit her office unannounced, Rose registers how alone he is, urging him to reach out and ask for help—something neither does easily. Meanwhile Simon, a late-blooming teenager with an overbearing mother, photographs people at a distance with a borrowed long lens. One day, Rose, beautiful and melancholy in a vibrant scarf, comes into focus in his camera sight. The pictures he shoots become a conduit for each of them to touch something deep within and expand their confining existence. - Caroline Libresco

A troubled loner, Bob Maconel, imagines blowing up the tower in Los Angeles where he works. He takes a revolver to his office intent on killing colleagues, and then himself. At home, he holds conversations with his fish, who encourage him to do it. His supervisor picks on him. As he’s screwing his courage to the sticking place, he drops a bullet; while on the floor looking for it, another colleague does exactly what Bob has been planning. Bob emerges a hero and the one colleague he likes, a woman with a bright smile, is severely wounded. Can Bob help her through despair and find himself and joy in life? Or, as everyone says, is this impossible for a man like him?

Russian mobster Terek Murad has declared open season on the Russian militia and the FBI over the shooting of his brother in a Moscow nightclub. He hires the Jackal, a nasty assassin whom nobody has even seen, to kill the Director of the FBI. With nowhere else to turn (except a woman who used to work with the Basque separatists, who is now in the USA but whose exact whereabouts in unknown to all save Mulqueen), FBI Deputy Director Carter Preston (who was present at the Moscow shooting) and Major Valentina Koslova of the Russian milita (who pulled the trigger in that shooting) enlist the reluctant services of Declan Mulqueen, an imprisoned IRA sniper, to track the Jackal down, for Declan is the only other person who can positively identify the Jackal.

While inspecting the sewage system of London, two workers are attacked by a weird creature. Later, Kate decides to leave a party trying to meet the actor ‘George Clooney’ (qv) who is in London. She waits for the last underground train, but after drinking many alcoholic beverages, she falls asleep accidentally on the platform bench, missing the last train and being trapped in the closed underground station. Later, a train going to the depot stops at the platform. She boards the train and she meets her acquaintance Guy, who tries to sexually assault her in the underground car. Guy is attacked by the creature, dragged off, and Kate leaves the train through the tunnel. This is the beginning of her claustrophobic, scary and gore night running through the Underground of London.

Financial “Master of the Universe” Sherman McCoy sees his life unravel when his mistress Maria Ruskin hits a black boy with his car. When yellow journalist Peter Fallow enflames public opinion with a series of distorted tabloid articles on the accident, the case is seized upon by opportunists like Reverend Bacon and mayoral candidate D.A. Abe Weiss.

A young man has dropped out of Queens College but desperately wants to please his father, a federal judge who’s harsh with his son. At his father’s insistence, Seth Davis closes a casino he operates in his own house, mostly for college students. Thinking he’ll please dad, he takes a job in a small brokerage house, an hour from Manhattan, where trainees make cold calls to lists of well-paid men, and then apply high-pressure tactics to sell initial public offerings exclusive to the firm. He’s terrific at sales. Once training is over, the pay is phenomenal, and Seth wonders why. Curiosity leads him to ethical dilemmas, encounters with the Feds, and new territory with his father.

The futuristic tale unfolds in a Great Britain that’s a fascist state. A freedom fighter known as V (Weaving) uses terrorist tactics to fight the oppressive society. He rescues a young woman (Portman) from the secret police, and she becomes his unlikely ally.

Medical students begin to explore the realm of near death experiences, hoping for insights. Each has their heart stopped and is revived. They begin having flashes of walking nightmares from their childhood, reflecting sins they committed or had committed against them. The experiences continue to intensify, and they begin to be physically beaten by their visions as they try and go deeper into the death experience to find a cure.