In 19th-century New Mexico, a father (Tommy Lee Jones) comes back home, hoping to reconcile with his adult daughter Maggie (Cate Blanchett). Maggie’s daughter is kidnapped, forcing father and estranged daughter to work together to get her back.

2001 is a story of evolution. Sometime in the distant past someone or something nudged evolution by placing a monolith here on earth (presumably elsewhere throughout the universe as well) Evolution then enabled man to reach the moon’s surface where he finds yet another monolith, one which signals the monolith-placers that we have evolved that far. Now a race begins between computers (HAL) and man (Bowman) to reach the monolith-placers, the winner will achieve the next step in evolution, whatever that may be.

Disheveled musician and college student Adam (Cameron Douglas, son of Michael Douglas) goes out of his way to meet the beautiful Eve (Emmanuelle Chriqui) on campus. In no time, the two are in love. Everything goes swimmingly except in the bedroom, where Eve asserts her right to remain a virgin until she’s ready. Adam—though deferential—takes her requirement personally and demands to know what “ready” means. The pair go on like this for months, with Adam remaining true to his passion for Eve, despite howls of protest from his degenerate housemates (among them Jake Hoffman, son of Dustin Hoffman)…

A descent into Hell is triggered when “Ex-Lord” Donald Brocklebank finds that he must leave Longleigh House for London to find a way to pay for the medical treatments for his wife Nancy. Alone, his over-protected, delusional, adult son, James, fancies himself in charge of the manor house with his terminally ill mother, and barricades the two of them into the house for a series of ever more panicked home treatments, mistakenly protecting her from the arrival of Nurse Mary and any outside help.

At John Hughes High School, the students are the same as just about every other teenager in a teen movie. The popular jock, Jake (Chris Evans), takes a bet from Austin, the cocky blonde guy (Eric Christian Olsen), that he can transform Janey, the pretty ugly girl (Chyler Leigh), into the prom queen before the prom. But two people are trying to stop Jake from succeeding: his evil sister, Catherine, the cruelest girl in school (Mia Kirshner), and Priscilla, the bitchy cheerleader (Jaime Pressly). And all of their friends are the same as any other teen movie: Areola, the naked foreign exchange student (Cerina Vincent), Les, the beautiful weirdo (Riley Smith), Malik, the token black guy (Deon Richmond), the desperate virgins (Cody McMains, Samm Levine, and Sam Huntington), Amanda Becker, the perfect girl (Lacey Chabert), Ricky, Janey’s obsessed best friend (Eric Jungmann), and Sadie, the VERY old undercover reporter (Beverly Polcyn).

He’s found his mojo, baby, and now Austin Powers (Mike Myers) is back again in this shagadelic comedy-adventure! The “sshhh!” hits the fan when Dr. Evil and Mini-Me escape from prison. Joining forces with the superfreaky Goldmember, they kidnap Austin’s father, master spy Nigel Powers (Michael Caine), in a dastardly time-travel scheme to take over the world. Before you can say “Shake Your Booty,” Austin cruises to 1975 and teams up with sexy Foxxy Cleopatra (Beyonce Knowles) to stop Dr. Evil and Goldmember from their mischievous mayhem. With Michael York, Robert Wagner, Seth Green, Mindy Sterling and Verne J. Troyer.

Martin Freeman plays Chris, a frustrated TV producer who is forced to leave his unreliable flatmate Bob played by Velibor Topic in charge of showing a series of real estate agents around the house he is trying to sell. Worried by Bob’s habit of spending all day working in the basement playing loud music, Chris asks his friend to listen out for the door bell and show anyone who comes calling inside. Bob promises to do exactly that and for once, not to let him down. Over the course of the day, whilst Chris struggles to cope with his insane TV presenter colleague Jerry, played by Richard Harrington - back at the house it is soon clear that bonkers Bob is taking his promise to Chris rather too literally. Bob has indeed, allowed anyone inside, including a couple of gun-toting gangsters - an incompetent young Brit played by Danny Dyer and an incontinent American played by Corey Johnson. That evening, Chris is surprised to return home and find his flatmate, four estate agents, two Jehovah’s Witnesses, a corpse and a terrified children’s entertainer in what remains of his flooded kitchen. Of course, a roomful of water and broken furniture doesn’t mean the end of the world - but the half-crazed American sitting outside the toilet with a gun, just might.

Upon hearing of her mother’s death, jaded teenage loner Purslane Hominy Will returns to New Orleans for the first time in years, ready to reclaim her childhood home. Expecting to find her late mother’s house abandoned, Pursy is shocked to discover that it is inhabited by two of her mother’s friends: Bobby Long, a former literature professor, and his young protégé, Lawson Pines. These broken men, whose lives took a wrong turn years before, have been firmly rooted in the dilapidated house for years, encouraged only by Lawson’s faltering ambitions to write a novel about Bobby Long’s life. Having no intention of leaving, Pursy, Bobby Long and Lawson are all forced to live together. Yet as time passes, their tenuous, makeshift arrangement unearths a series of buried personal secrets that challenges their bonds, and reveals just how inextricably their lives are intertwined.

Cooper and Ed are brothers: Coop acts, in ads and soaps, spending his real energy chasing women for one-night stands. His younger brother Ed, an earnest young man, works in an ad agency. For the past year, since finding his girlfriend in bed with another man with a video camera running, Ed has been in a funk: he’s carried a torch, his social life has tanked, and his work has suffered. Ed will be fired on Monday unless he can save a major account. It’s his birthday weekend: he wants to work, but Cooper wants Ed to rediscover his sex life. Cooper works hard to help Ed score, but disaster piles on disaster. Can a decent guy save his job and get a life?

Sexual jolts disrupt Manhattan physician Bill Harford’s equilibrium. At an elegant Christmas party, two “models” hit on him, he watches a Lothario try to pick up his tipsy wife, he aids a woman sprawled naked in a bathroom after an overdose. The next night, his wife reveals sexual fantasies with a stranger; a dead patient’s daughter throws herself at him; as he walks, brooding, six teen boys hurl homophobic insults at him; a streetwalker takes him to her flat; he interrupts men having a sex party with a girl barely in her teens. His odyssey, which next takes him into a world of wealthy sex play at a masked ball of hedonism, threatens his life, his self-respect, and his marriage.